Tag: Leaders

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Nymphing, North Carolina, July 31-August 1, 2020

Last November I mentioned to a colleague that we were trying to catch a fish in each state, and he invited us to their house in North Carolina, in the heart of North Carolina trout country. Their house is near Sapphire, which is eight miles east of Cashiers in the Appalachians in Western North Carolina, about an hour and a half southwest of Asheville. I suspect it was country once populated with hidden stills, but now there are probably more cute shops than stills. It’s pretty wild though, and their house was by far the nicest fly lodge we’ve stayed in. It was just as well it was their house, because otherwise we couldn’t have afforded a three nights’ stay.

Brian booked our guides through a local fly shop, Brookings Anglers, and it may be the prettiest fly shop I’ve seen, not that I’m overly impressed by pretty fly shops. I wouldn’t suggest driving more than a couple of hundred miles to visit. In addition to me and Kris, Brian and Jane had invited other work colleagues and their spouses, and we fished together one day and then the next day Kris and I floated the Tuckasegee River, the Tuck, while they went elsewhere.

The first day, the day we fished together, the Brookings’ guides had access to private water, which was small enough that I won’t give the name; Brookings has the access if you’re interested, and if you’re within three or four hundred miles of Brookings you really should drop by. The problem with the private water was that it was artificially loaded with huge trout that weren’t wild trout. The good thing about the private water was that it was artificially loaded with huge trout that weren’t wild trout. Sometimes that’s just fun. We caught huge trout.

We fished with Roger Lowe, who may be a bit younger than me, but who Brian described as the dean of North Carolina guides. Roger has the peculiar fate of looking exactly like my friend Jim from Austin, who I’ve talked baseball with for the last 20-odd years. Jim was a college pitcher and high school coach, and is a wee bit opinionated about baseball. Sometimes Jim is a bit brusk. Here is a recent response by Jim to something stupid:

“Go the fuck away . . . . Away.“

Which for Jim is pretty measured. In appearance Roger could be Jim’s twin brother. From the time we started fishing I expected Roger to invite me to take my stupid opinions and fuck off. I don’t even know if Roger follows baseball, but I will tell you there is nothing more charming than a guy with a North Carolina accent announcing that we’re going to Euro-nymph, and who then never once responded with expletives in exchange for my casting. If Roger and Jim are long-lost twins, Roger is definitely the more civil of the two.

The private water we fished wasn’t very big, maybe 20 feet across, and its runs are crammed under every overhanging branch in North America. Most of the day I fished Roger’s 10-foot Hardy two weight, with a long mono leader, 15 feet of 20 pound leader at the butt, 5 feet of 15 pound, and then a two foot stretch of Rio Two Tone Indicator Tippet material, finished off with 4 or 5 feet of tippet. What X tippet? I can’t remember, but there are plenty of descriptions of long mono leaders around the internet. I know this: Rio two-tone indicator is the bomb. Alternating hot pink and fluorescent yellow, it looks like the love child of fishing line and Christmas candy. The fourth time I went back to Brookings–not that I’m overly impressed by a pretty fly shop–I bought a spool. I’ll probably never use it, but I sure do like it.

All I really fished was the leader, and I don’t think I ever once had the fly line off the reel. The long 10-foot rod is for better line control in drifts, but I’d never heard why for tight-line nymphing two- and three-weight rods are preferred to the usual four- or five-weights. Roger explained that when a fish takes the fly, if it feels any resistance it will immediately spit the hook. The two weight’s limber tip delays resistance long enough to set.

As for casting, it didn’t matter. We weren’t casting far. With a 25-foot leader on a 10-foot rod on a 20-foot stream there just isn’t very far to cast. My best casts involved letting leader stretch out on the water behind, then using the water tension to haul the line forward, quartering upriver. I wasn’t much good at it. Most of my casts were big overhand lobs that ended with the fly hung in a tree. The flies themselves were weighted, or maybe Roger added weight, but we were fishing with all the classic flies: mop flies, squirmy worms, I think I fished an egg pattern at some point. Forget the fly though, what was fun was high-sticking the leader through the runs, and keeping enough of the Christmas candy indicator out of the water so that I could see any hesitation. It was mesmerizing, and completely successful. I am now one of those cosmopolitan fly fishers who has Euro-nymphed.

Late in the day my shoulder told me that high-sticking might be a young man’s game, but I kept at it. Like I said, leading that tight-lined bit of colored fly leader through a run was mesmerizing. Plus we caught fish. Roger was pretty entertaining too. Roger told a great story about a client who complained about rain on her fishing trip. Roger told her that sometimes you had to put up with a bit of rain. She was in the back seat, and he said she leaned over the seat, got in his face, and told him that he should shut up, that she could complain all she wanted.

Roger said that he shut up.

The story I won’t share is our next day’s guide’s, Matt Canter, who is manager and a part-owner of Brookings. Did I mention Brookings is a really pretty fly shop? Anyway, the story involves how Matt came to manage and then own part of Brookings. If you’re within four or five hundred miles of the shop, you should visit and get Matt to share the story. It’s a great story, and a really pretty fly shop.

What wasn’t so pretty was that day’s fishing. We were fishing small nymphs under big dry flies, dry dropper rigs, which wasn’t what was wrong. Here is what went wrong with that day’s fishing:

Kris had the greatest day fishing ever.

She caught brown trout, she caught rainbow trout, at some point she started catching nice-sized brookies. After her first brookie I mentioned to Matt that Kris had an Appalachian grand slam and Matt said yeah, but then a few minutes later Kris caught a smallmouth. Matt, whose gloat was very unbecoming, said that now she’s really got an Appalachian grand slam.

Why was Matt gloating? What was I catching? This.

Matt said it’s a kind of sucker, known locally as a knottyhead. That picture’s of a big one. After we got home I searched around on the internet a bit, and never could quite match the fish to a genus and species. For all I know God created them that day just to keep me humble. Kris and I would fish the same fly, same depth, same drift, and Kris would catch a lovely wild brown or a tarpon up from the Gulf or a steelhead come south on vacation and I would catch . . . a knottyhead. Ok, they weren’t the only fish I caught. I caught some nice browns and some nice rainbows, and even got a brown on the dry fly once, but I must have caught 20 knottyheads, one after another, while Kris was having the fishing day of her life.

I said Kris didn’t really have a slam until she caught a knottyhead. She immediately caught her one and only knottyhead. Next time I’m in Brookings I’m complaining to the manager.

Not that I’m jealous.

That night over drinks we were comparing our day’s fishing, and somebody asked if any of us had ever had a double, a fish on each fly?

I answered. “Kris has. Today. Twice.” As my friend Jim would say, a double-fucking-double.

I could have had a double if knottyheads just took dries. And she didn’t land both fish, either time. So there.

Not that I’m jealous.

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Nymphing at the South Holston River Lodge, July 28-29, 2020

Whoever dubbed the larvae that skitter around the stones on the bottom of rivers as nymphs had a peculiar sense of humor. This is a proper nymph:

John William Waterhouse, Hylas with a Nymph, 1893, private collection, oil on canvass.

After that this is at best a disappointment, if not a horror:

Jim Rathert, mayfly nymph (or naiad), Missouri Department of Conservation, https://nature.mdc.mo.gov/discover-nature/field-guide/mayfly-larvae

Unless of course you fly fish for trout, in which case you’re all in with the latter, and wouldn’t know how to tie a proper imitation of the former.

If you don’t fly fish, this takes some explanation. There are, more or less (and ignoring a bunch of important stuff altogether), three ways to fly fish for trout. If you fish on the surface with a fly that imitates surface bugs, that’s dry fly fishing. If you fish below the surface with a fly that imitates baitfish, that’s streamer fishing. If you fish with a fly that imitates larval bugs that swim or saunter along beneath the surface, that’s nymphing.

In North Carolina and Tennessee we went a’nymphing, and over four days’ fishing it was kind of a master class. Nymphing is more often than not the most productive way to trout fish, though historically it was thought unsportsmanlike by some. Frederic Halford, the English Father Of Modern Dry Fly Fishing, said just say no to nymphs, while G.E.M. Skues, the English Father Of Modern Nymphing, would infuriate Halford by tempting with a variety of seamy sinking flies. The residue of that argument hasn’t completely gone away.

Nymphs.

John William Waterhouse, Hylas and the Nymphs, 1896, oil on canvass, Manchester Art Gallery.

Still, that controversy has mostly gone by the board, but anglers who nymph like to think that they’re doing something mildly disreputable. I don’t fish with dries often, but in some ways it seems the simpler method: to paraphrase Bull Durham, see the bugs, match the bugs, float the fly. That whole match the bug thing is a mystery, bug hatches being a tall tale pawned off on unsuspecting Texans, but still, if hatches did exist one would know one’s task. See the bug, match the bug, float the fly.

Meanwhile nymphing has taken on all manner of unexpected complexity. There’s Euro nymphing and the varieties thereof; French nymphing, Polish nymphing, and Czech nymphing. There are dry dropper rigs, and more different kinds of indicators (think bobbers) than would seem quite seemly. One writer touts New Zealand indicators sheared from the wool of a certain breed of high-country New Zealand sheep, while another swears by plastic globes only slightly smaller than beach balls. Those little foam tape tabs are making a comeback, and a friend makes his indicators from small party balloons. If you want to go online and search, you can find at least a couple of reams of discussions on building nymph leaders using bits of metal, different colored lines of different diameters, human skulls, and barbarous incantations at midnight.

It seems altogether fitting that the high priest of modern nymphing, George Daniel, was at the South Holston River Lodge when we were there. You’d expect that the guy who wrote the book on modern nymphing, Dynamic Nymphing, would be kind of nerdy, but Daniel is a young, handsome guy, tall, tan, and fit, and doesn’t even seem to wear a monocle. All-in-all it was kind of intimidating. If John McPhee can look exactly like a shad fisherman, why couldn’t George Daniel have the decency to look like a nymphing nerd?

***

The South Holston River and the South Holston River Lodge are in the northeastern corner where Tennessee, Virginia, and North Carolina come together. President Roosevelt built a bunch of dams on rivers up there as part of the TVA projects, giving the lie to those who think government never benefits anybody. In addition to social security, Roosevelt created a fine trout fishery. The 14 miles of South Holston trout river is fed by releases of deep cold lake water from the South Holston Dam, at a fairly constant 47°, so that even in the middle of the summer when water temperatures can otherwise be too hot for trout, or in the middle of winter when water temperatures can otherwise be too cold for folk, the South Holston is fishable, and more than fishable: it is an extraordinarily buggy river with estimates of up to 8,500 fish per mile, mostly brown trout, and mostly wild trout.

8500 is a lot of fish.

Because of dam releases for power production the river flow can change radically over the course of a day. Jon Hooper, the chief factotum, head guide, and general manager of the lodge told us that because it had been dry, flows could be below 100 cfs, but that in high water the flows could be above 2500 cfs. Apparently the river can go from 60 feet from bank to bank to 100 feet from bank to bank in less than an hour, and then do it again the next day. Wading’s not safe when the water’s rising. That was ok with us. We fished from a drift boat.

You can’t fish gin-clear water at 100 cfs the same way you fish gin-clear water at 1500 cfs. We were nymphing, of course: there’s supposed to be an excellent sulphur and baetis hatch from time to time on the river, but I’ve never seen an excellent hatch and I won’t be fooled by the stories these non-Texans tell me. Our guide, Brandon Barbour, was way ahead of us, so in the morning with the water low we fished tiny size 22 midge nymphs on tiny 6x tippet. If you’re argumentative, 6x tippet is in fact split hairs. The water was slow and clear, and the fish educated, so that’s what we used. The indicator was a small bit of yellow foam tape. That was our first method of nymphing during the trip: light tippet, light indicator, tiny weighted flies, and no weight added.

What did we see in Tennessee? We mostly saw a tiny press-on foam indicator floating in a square foot of river, because that’s what we watched to know if a fish took our fly.

In the afternoon Brandon took us higher on the river, closer to the dam where released water would reach first. We ate lunch and watched water rise on the legs of a wader until it made all of us nervous. I guess it finally made the angler nervous too, because he finally left the river.

Brandon liked the fishing better at higher flows. He said the fish had less time to study the flies, and had to react quicker. The problem was that to get the nymphs down in the swift current Brandon had to add weight, and then add more weight, and then add a couple o’ more bits of weight. All of this weight, four or five BB sized pinch on weights, was at the very bottom of the rig, then two nymphs were tied onto the uncut tag ends of surgeon’s knots, about three inches from the leader itself. This wasn’t 6x tippet.

At the top of the rig was a particularly large plastic indicator, a Thingamabobber. The indicator had to be large enough to suspend the hooks and weight below it. The weight would bounce along the bottom, and we’d have to distinguish the bottom bounce from the fish take. You’d think that something involving nymphs and called bottom bouncing would be more lewd than it was, but what it lacked in prurience it made up for with fish.

Jam-stop Thingamabobber

What did we see in Tennessee? A big orange thingamabobber getting jiggy while we bottom bounced. That could well be a metaphor for the modern world. It sounds meaningful anyway.

Casting the light rig was pretty easy. We weren’t casting far, 20 or 30 feet for the most part. I seemed to roll cast a lot, and every now and then would throw in a fairly standard cast. The bottom-bouncing rig was a different matter. I tried a standard cast once and got a clump of BB weights to the center of the back, hard enough to evoke what I suspect was an unmanly shriek. Casting the rig required a water haul, laying out the line behind and then using the drag of the water to load the rod when I pulled it forward. I expect it wasn’t pretty. No fish were going to come out of the water for my shadow cast, but it was better than a clump of weights to the back of my head.

We fished the Holston with Brandon the first day, low water early and high water later in the day. The next day we fished the Holston with Brandon at low water in the morning and then moved over to the Watauga, another nearby tailwater, for higher flows in the afternoon. Because the Holston was so low, everybody else was on the Watauga as well. That was ok, it wasn’t combat fishing, but it’s a smaller river and drifting along we had plenty of lively and pleasant companions, and caught fish.

***

I always think the same thing when I travel, could I live here? Would I like to come here and stay? I liked where we were, and on the way down the river the first day I got Dolly Parton’s “Tennessee Mountain Home” stuck in my head while I fished. Technically it wasn’t Dolly Parton’s version, it was Maria Muldaur’s version (which I know better, but which honestly isn’t as good). I liked it in my head. I liked the South Holston River Lodge and Jon and Lynne and Brandon and the chef, J.D., and all the other people at the lodge who took care of us. I could live there, on that river. I won’t, but I could.

Plus I really liked the nymphs.

John William Waterhouse, Nymphs Finding the Head of Orpheus, 1900, oil on canvass, private collection. I think this was on the Watauga, not the South Holston.
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More Florida Playlist

Gear

We took five rods. We took my 7 weight G. Loomis Asquith with a Tibor Everglades reel and a bonefish line. When we weren’t fishing for big tarpon that’s the only rod we used in the Everglades. It’s a little known fact, but Lord Asquith was the commander of the British forces in Florida during the Revolutionary War, and made a pile selling swampland to British loyalists escaping from New York and New England.

We also took Kris’s 8-weight Helios 3 with an Orvis Hydros reel, a 10-weight Helios 2 with a Tibor Riptide reel, and a 11-weight Helios 2 with an Orvis Mirage reel. All of them had floating lines. In the Everglades we used the guide’s 11-weight H3 because we needed an intermediate line and because H3. We used the guide’s 10-weight H3 out of Key Largo because the guide didn’t like my leader and because H3. My leader was tied with lots of bits and pieces of fluorocarbon and his was a simple 40-20-40 or thereabouts.

It rained out of Key Largo, so our rain gear came in handy. I wore my Converse high tops. Kris kept wanting me to go barefoot so I’d feel the line under my feet, but I never did. Together with my blue sun gloves, blue Buff, blue cap, and blue eyes I was very color-coordinated, and going barefoot would have ruined the whole ensemble.

Unfortunately my boat bag was orange. I need to work on that.

We also took Kris’s 5-weight Helios 3 for the Miami canals. More on that later.

Flies

We only used a few. For the bonefish it was a lead-eyed root beer crazy charlie, probably size 8 or 10. The tarpon fly we used was a black toad, not very big, only a couple of inches long, tied on the the usual sized hook for tarpon, 1/0 or 2/0. For the smaller fish and the baby tarpon we switched to an orange and white baitfish pattern, size 4 maybe. it wasn’t a fly I knew, but any clouser variant or baitfish pattern would probably have done. These were all guides’ flies.

The Canals

I wanted to fish Florida canals on our first trip to Florida, but we didn’t have the time, or at least the energy. This time we did, but only for an hour because of a luggage snafu. ProTip: Don’t try to late-check a bag of food and expect TSA to get it onto your plane, and if you do be ready for the recriminations of the lady at the Southwest baggage claim who feels wronged because you late-checked luggage. Also, buy the Coke Zero when you get there. When one explodes in the plane and mixes with the instant oatmeal it’s a real mess, even when you bag is waterproof. Maybe especially when your bag is waterproof.

At the canal it was too windy for Kris’s 5-weight, and it was hot. We were fishing on the side of the road in a warehouse district. It wasn’t a transcendent outdoors experience.

Hotels

We had great luck with hotels. We stayed at The National in the heart of Miami Beach. The National was built in the 50s, and is immaculate. I wanted to spend the weekend floating by the poolside bar and drinking mai tais, and if I’d done it the other guests could have gone home and told their friends that in Florida they’d seen the Great White Manatee.

In Key Largo we stayed at Popp’s Motel. There are nine cottages with a beach. There are palm trees and hammocks. Nobody was there but us, though in-season my guess is it’s packed.

Restaurants

On the way out of the Everglades we stopped at Robert is Here in Florida City. I had the mango and strawberry milkshake, Kris had the blackberry. There is a low-rent zoo in the back where you can sit at picnic tables and watch tortoises and goats and the other customers while you drink your milkshake. There are parrots and motorcyclists with tattoos and The Great White Manatee. It’s a fine place.

In Miami we went to Joe’s Stone Crab for lunch. I had expected something close to Felix’s Oyster Bar in New Orleans, something with a formica counter and twirly stools. Instead it was white table cloths and waiters in tuxedoes. A waiter who spoke tourist gave great guidance, and there was crabmeat and key lime pie. The waiter had a good Houston story about being stuck in Houston during Hurricane Harvey, and volunteering at the George R. Brown shelter.

The guy behind us had stories too, and he announced them with unflinching gusto. Here are his stories.

  • He was raised right here in Miami, and every time he came home he came to Joe’s, and he especially wanted to bring her to Joe’s.
  • He loved her, and that story she told about her parents was funny, and her family must think he was robbing the cradle.
  • Don’t worry about how much food he was ordering, because he could eat it all. Gusto!
  • People come for the crabs, but really it was the coconut shrimp that he loved.
  • These weren’t local crabs. These were west coast crabs. He could tell, he was raised here.
  • She would love the key lime pie.
  • Ok, she hadn’t loved the key lime pie. They’d order the chocolate cake.
  • She was so funny. He loved her.
  • He loved her.

My back was to them, but while it was impossible to see I could hear him fine, more than fine, more than I wanted. Whether or not raised in Miami his accent was Jersey, and she was 25 (or at least he said she was 25) and her accent Asian. She didn’t talk much.

When we left I got my only glimpse of them. He was closer to 60 than 25, a bit rotund, a bit worn, a bit sagging. If he’d been a fish he would have been a gizzard shad. She was nondescript. She could have been 25 or 30 or 40, a bit rotund as well, and not glamorous, nor seemingly striving for more glamour than any of us might seek. Was she Korean? Vietnamese? How did these two meet? Online? Was there some sort of matchmaker? Would things end well? I wished them well if well was in the cards, but I guess didn’t really think it was.

That evening we went to The Surf Club at the Four Season’s Hotel. The blurb promised nostalgic cuisine and the Thomas Keller touch. That sounded fun, expensive what with Thomas Keller touching our bank account, but fun. And nostalgic cuisine! 50s-60s cuisine! It sounded just right for Miami.

Here is what I learned: you can’t high concept authenticity. You can high concept all you want, and if the concept is good it will travel, but if a restaurant is concept and the concept is authenticity (and that’s really what you’re at when you’re grabbing nostalgia), well, you can’t Make America Great Again. It doesn’t matter how good the service, how finely sourced the beef, how excellent the dang-that’s-really-expensive wine list, a $46 soft boiled egg is still a soft boiled egg, even if it comes with caviar and a buckwheat blini.

I was dressed in my finest fishing wear, including my bright blue Converse high tops, so I didn’t exactly fit the space, but I figured nothing said 1960 like Converse high tops. Kris told me not to get the oysters Rockefeller, but I’m a sucker for roasted oysters. It never works out though. Except for the Oysters Gilhooley at San Leon’s Gilhooley’s (cash only, you can smoke at the bar, and be sure and stop and admire the Harleys out front) I’m always disappointed. The oysters were surprisingly fine, still plump and fresh, but how do you make bread crumbs bitter? Were they scorched? And why ruin an oyster with a slather of spinach? I ate the oysters anyway, just so Kris wouldn’t know she was right. They needed some hot sauce, but so did much of the 50s.

Kris didn’t do more than taste her lamb chops and said they were over-salted and overdone. They took them off the bill. Great service, and the crudite and martinis were magnificent. They cook magnificent crudite. My steak was a steak. It was a bit over salted in pockets, but I didn’t tell Kris.

Just like lunch there was an old man with a much younger woman, and this old man was frightening–if he wasn’t Miami mafioso he had missed his calling–while Kris was certain that any woman that tall and with arms that thin was a young man in drag. She was so coiffed and painted that you couldn’t tell what she’d begun as, male, female, beautiful, plain.

She had a mass of frosted hair over a dark underlayer–there were a lot of women in the room with a mass of frosted hair over a dark underlayer, and there was a magnificence in the complexity of it. How did they do that? In more innocent places you’d just guess their roots were showing, but this was so planned, so well-executed, and so universal that it could be nothing but premeditated. Did they dye their hair dark, then dye it again light? It had to take hours, did it take days? I wondered why Kris didn’t do the same, but she’d have to add more hair to get the effect. I like her hair just fine.

I don’t think she was a young man in drag, but I didn’t ask. When I was leaving the maitre d’ asked if I’d enjoyed my golf. Our kind of place.

South in Key Largo we ate at The Fish House. Its concept was to throw fishy looking bibelots on the wall and serve the same menu they served last year and the year before and the year before that, with whatever fish was fresh that day. The couples at the tables next to us got into a heated argument about the President until one stormed out. My nose was so far into my plate that I couldn’t tell who took which side, but the remaining couple, the couple immediately to our right, lived in Manhattan on the Upper West Side, and guessed from our intro that we’d dined with Thomas Keller the night before. They were younger than us, but not by much, and said that they’d had dinner the night before at the Trump Doral, the one that had made all the headlines for the G7 conference, and that there had been a woman in a sequined Make America Great Again dress that wasn’t meant to be ironic.

At the fish house the oysters were from Texas, just like us. There was no slather of spinach. On our way out of the Keys the next day we stopped again for a second lunch.

Our final night in Fort Lauderdale we found a red-sauce Italian place, Il Mulino, and ate comfort food. We didn’t talk to anybody. We didn’t watch anybody or overhear any conversations. We split a pair of Apple Airpods and streamed the Astros beating the Nationals in World Series game 4 through Kris’s phone. Those were more innocent times.

Donuts

No donuts. We didn’t eat a single donut.

Playlist

I’ve covered my Florida playlist before, and there’s nothing more to be said except this time I liked it. I liked Mel Tillis. I liked the Adderly Brothers and Ray Charles and Arturo Sandoval and John Vanderslice. Not a single Jimmy Buffet song cycled through, and I liked that. I’ve made my peace with Florida. I’ve caught my Florida fish.

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Idaho Playlist

Did you know that if you took any song written about Mexico, and changed it to Idaho, the meter still worked? That’s why Canadians sing “South of the border/Down Idaho way.“

What We Took

We took gear for trout. We took a 3-weight rod, a 4-weight rod, and two 5-weights, and we never took the 4-weight out of the luggage. I liked the flimsy 3-weight just fine until it got windy, but it got windy a lot so I finally gave it up for the 5-weight. Both rods I took were Winstons, a new Pure 5-weight that Trout Unlimited sent me because I won their annual spelling bee, and a Boron IIIX that I picked up at a Gordy & Son’s remainder sale because Winston came out with the Pure. Kris took her Helios 3D 5 weight. I fished it for just a bit. I’m used to big booming saltwater rods. I’m not used to big booming trout rods. That rod is a big booming trout rod.

We took floating lines and some 5x and 6x leaders I’d tied. We didn’t use the 6x, and I think the guides laughed at me for owning 6x tippet. We took some reels, a couple of Abels, a Ross, a Hardy, but I caught exactly one fish on the reel, and then I was reeling in my line for a pause in fishing when for some unfathomable reason a fish hit the skating fly.

We took waders and boots for Silver Creek, but didn’t take them on the Middle Fork. The guides strongly discouraged waders in the boats, something about getting thrown out, waders filling with water, and drowning. All things being equal I’d just as soon not.

Our gear was limited by the weight we could take on the bush plane, 30 pounds apiece, and I was already taking 11 pounds of guitar and case. I paired down and then paired down again. Instead of taking all ten foam hoppers that I’d tied, I only took five. Really. I’m stupid.

We took a bottle of Four Roses bourbon in honor of William Faulkner’s birthday, and poured the contents into a plastic water bottle to save weight. Happy birthday William!

I gave myself a new guitar case for my birthday, a Visesnut, maybe the best guitar case made (though they make a carbon fiber model for about $800 more). For years I’ve traveled with a cheap 3/4 size classical that I would stow in the overhead bin. Coming through Chicago Midway on Labor Day I talked to a guy who always checked his guitar with his luggage, and when I asked Kris if I should get a better case and check my guitars she immediately said yes please. Apparently with a guitar case on a plane I’m a nuisance.

We took too many clothes, but that’s probably because we had great weather. I discovered that I really liked wearing a fishing shirt on the water, the kind with lots of pockets, because, well, pockets. When I just wore a knit pullover I wanted pockets.

I bought a new pair of shoes for the trip, Simms Riprap wet wading shoe. They worked great, except that I didn’t wear socks until the final day on the water. I should have worn socks. They’re better with socks.

What We Lost. Where We Didn’t Go.

Kris destroyed her IPhone on Silver Creek by dunking it. I destroyed my Nikon Coolpix W300 waterproof camera on Silver Creek by ignoring the warnings about cleaning the seals and then dunking it. If you ignore the warnings it’s not waterproof. I had to take pictures the rest of the trip with my GoPro, which was better for stills than I thought it would be. Kris had to use my phone. She takes most of the photos I post, and is better at it than I am.

We didn’t go to McCall or Couer d’Alene, both of which my parents loved 60 years ago. I’m sure they haven’t changed. We didn’t fish the Henry’s Fork.

What We Ate.

On the way out of Boise we stopped by the Basque Block and bought a baguette and cheese, which got us to Ketchum. Ketchum is a strange mix of college town sans college and affluent resort, but I enjoyed the Pioneer Saloon, where I had a long conversation with an older south Idaho rancher and his daughter about barrel racing, how I could never break 20 seconds as a kid, and why I don’t much like horses. Some of us just aren’t really horse whisperers.

The guides kept us fed on the river, breakfast, lunch, and dinner. In order of dinner entrees: fried chicken, pork chops, fajitas, salmon, steak. It was always excellent, though Idahoans could use some advice on how to serve tortillas. I got two deserts on my birthday, though one may have been for William Faulkner.

Books

I’ve already written about Housekeeping by Marilynne Robinson, which stands alone as a peculiarly great book about Idaho. Hemingway famously died there, but he didn’t really write anything important in Idaho except maybe A Moveable Feast, and that’s about Paris. But did you know that Hemingway’s buddy Ezra Pound was born in Hailey, Idaho?

Ezra Pound is at the heart of American literature, he really is. I like some of his poems very much, and there is still no writing more beautiful to me than Pound’s The River Merchant’s Wife: A Letter.

At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never looked back.

At fifteen I stopped scowling,
I desired my dust to be mingled with yours
Forever and forever, and forever.
Why should I climb the look out?

Ezra Pound circa 1913, doing his best Bob Dylan, from the Paris Review.

That said, I suspect I wouldn’t have much liked Pound in the flesh. Since college, whenever I’ve thought of Idaho, I’ve wondered how Pound could have been bred and born in Hailey? I finally looked it up. Turns out he was born there because his broke father took a political appointment in Hailey’s general land office. He was born and then a month later Mom left one of the most beautiful places on earth for New York City because she wouldn’t raise her son in such a God-forsaken wilderness. Dad soon followed. It explains a lot.

Baseball

When we left Ketchum and civilization, the Astros had clinched the American League West. When we got back to Salmon they had clinched home field advantage over the Yankees and the Dodgers. It was a good way to return to WiFi. That whole Ukraine thing happened with the President too.

Birds

Kris birds, seriously birds, as in she’s permanently attached to a pair of binoculars and a birding guide, and she spent as much time in Idaho looking at her copy of Peterson’s New Birder’s Guide as I spent playing the guitar. There are birds, eagles and ospreys, that fish for a living, and we saw ospreys but we never saw an eagle. She was thrilled with the osprey skull found at a campsite.

There is a small bird on the river, called an ouzel by the guides but the American dipper by the guidebooks. It lives in the rocks by the river and is a delight and joy. They’re the only aquatic songbird in America, and one dusk when we heard a bird song I said to Kris that sounds like a mockingbird. Of course I always tell Kris every pretty bird song is a mockingbird, even when in Idaho where there are no mockingbirds, but for once I was sort of right; it was an ouzel. The New Birder’s Guide said its strong sweet tones sound like a mockingbird. And they do.

Andy Reago & Chrissy McClarren – American Dipper, from Wikimedia Commons.

Music

After Kris got tired of my collection of Josh Ritter (which is surprisingly extensive, and his Wolves is a great favorite), she found a bunch of songs with Idaho in the name or the lyrics and an internet comment that said there are a lot of songs with Idaho in the name or the lyrics, none of which have much to do with Idaho. Like I said, you can substitute Idaho for Mexico anytime you want, and it looks like lots of songwriters do.

Victor Wooten, a well-known jazz bassist and the bassist for Bella Fleck and the Flecktones, was born in Idaho. His parents were military, and he apparently stayed about as long as Ezra Pound.

  • b-52s, Private Idaho. I could do without ever hearing this song again.
  • Riders in the Sky, Idaho (Where I’m From). Ranger Doug is a great Western Swing guitarist, and Too Slim is responsible for the Paul is Dead Hoax.
  • Bryan Lanning, Idaho. It is stunning that there are so many songs called Idaho. This may be the only pop anthem called Idaho.
  • IDAHO, To Be the One. And this may be the only band called Idaho. I’d change my name, just because it’s so hard to google.
  • Gregory Alan Isakov. Idaho.
  • Gorillaz, Idaho. Bon Iver meets Harry Nilsson, and I’m not sure it works,.
  • BoDeans, Idaho. I’m just a BoDeans kinda guy. They’re from Wisconsin.
  • Jeffrey Foucault, Idaho. I liked this. Foucault is also from Wisconsin, and this song would have worked if sung about Mexico.
  • Y La Bamba. Idaho’s Genius. A Spanish lament out of Portland that mentions Idaho. I should have had these people on our Portland playlist.
  • Hot Buttered Rum, Idaho Pines. Bluegrass. Tennessee mountain music about Idaho.
  • Caitlin Canty, Idaho. Clean voices, clean guitars. Good Nashville.
  • Down Like Silver, Idaho. This is also Caitlin Canty, with Peter Bradley Adams. She must have a thing for Idaho.
  • Ron Pope, Twin Falls Idaho. Road song. More ok Nashville, but it’s kind of the problem with songs about Idaho: they don’t have to be about Idaho. It’s convenient. It’s exotic. It’s a place to yearn for in a sadly yearning sort of way.
  • Rick Pickren, Here We Have Idaho. This is the state song. It’s kind of a polka song.
  • Jeremy McComb, Bury Me in Idaho. McComb was born in Idaho. McComb sounds like he’s from Nashville. What is it with Nashville and Idaho?
  • Old Bear Mountain, Idaho. More Idaho Bluegrass.
  • Ronee Blakly, Idaho Home. This was from Robert Altman’s Nashivlle. Inauthentic old-time Nashville meets Idaho, and Blakly is still authentically great.
  • Clare Burson, Take Good Care. I don’t know what this song has to do with Idaho.
  • Cori Connors, Idaho Wind. I don’t know what this song has to do with Idaho.
  • Rosalie Sorrels, Way Out In Idaho. Sorrels was part of the 50s-60s folk movement, and recorded a number of Idaho timber and mining songs. They’re very earnest.
Tony Rees, John Renbourn and Stefan Grossman, 1978, Norwich Folk Festival.
  • John Renbourn, Idaho Potato. For guitarists of a certain type and age, Renbourn is a hero. This is classic Renbourn. If I were picking out a road trip playlist, this would be my Idaho song.
  • Drew Barefoot, Idaho. Instrumental that would fit just fine on an Ennio Morricone Spaghetti Western soundtrack.
  • David Robert King, Bad Thing. This guy listened to too much Tom Waits as a child. This is off his album “Idaho.”
  • The Eisenhauers, Idaho. Every time this came on I had to pick up the phone to see who sounded so great. They’re Canadian. I think they thought they were writing about Mexico.
  • Amy Annelle, Idaho. Annelle is from Austin, and has a troubled medical history and a lovely voice. Apparently writing about Idaho in Austin isn’t quite the thing that it is in Nashville. She’s the only Austin musician on the list.

All those songs called “Idaho?” You may not believe it but every one is a different song. If I ever write a song I think I’ll call it Idaho, and it will never mention Idaho once.

Reckless Kelly is from Idaho. I think of them as an Austin band. My fail.

One song named Idaho stood out: Idaho by Afroman. “Idaho, Idaho, Idaho baby/potatoes ain’t the only thing they grow.” Then the song gets obscene. Really really party rap obscene. Don’t listen to this with your children. Don’t listen to this if you’re squeamish. I’m squeamish, but it was funny to listen to once or twice.