Tag: Mississippi

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Coronavirus road trip, July 27-August 3, 2020

We drove last night from Sapphire, North Carolina, to Houston. We didn’t exactly drive straight through. Around 2 in the morning we stopped in Louisiana at a rest stop on I-10 just west of the Mississippi border and I slept for an hour. I had planned to stop for the night at a motel somewhere in Georgia, but Kris had other ideas and there you have it. I dozed while Kris drove through South Carolina and Georgia, and then it was after midnight and we just kept driving, trading back and forth, through Alabama and Mississippi and Louisiana into Texas. It was 941 miles in about 15 hours.

We planned this trip as a car trip because we were just paranoid enough not to get on a plane, but not paranoid enough not to go, and we’d always planned to make the return trip in one long leg. Going home we were going to leave this morning around 4 am and drive straight through, but instead left last night. I hope our hosts will forgive the abrupt change in plans.

Going out was different, slower. We went north through East Texas, into Louisiana at Shreveport, in the heart of Northern Baptist Louisiana, through a bit of Delta Arkansas into Delta Mississippi. We had plugged the Robert Johnson Crossroads marker in Clarksdale, Mississippi, into the GPS because, well Satan, but neither Satan nor Robert Johnson were there, and I’m no better guitarist than before we left. It’s funny though, growing up in High Plains cotton country prepares you for the Delta. You know flat land, and you recognize cotton in the field. The Delta looked a lot like home.

Rowan Oak.

We went on to Oxford to visit Rowan Oak, Faulkner’s house near the University of Mississippi, and then camped nearby at an unremarkable state park. Rowan Oak was closed because of the virus. At the campground, I was drenched with sweat by the time I set up the tent; camping in Mississippi in July may not have been our best idea, but in the evening we drank Four Roses in memory of Faulkner and the Four Roses gave me sufficient courage to try to explain the ukulele to Kris. Kris has wanted to learn the ukulele.

“It’s the top four strings of the guitar a sixth up from the nut, so it’s D-G-B-E only it’s G-C-E-A . . .”

“Show me a chord.”

“This is wait, wait, it’s a 6th up from G, so this is E.”

“I can’t see your fingers, let me see your fingers.”

“Here, right here, this is, wait, a 6th up from G, so E.”

“Show me another chord.”

“This would be, wait, let me translate, it’s up from C so it would be A, or it could also be D-minor . And this is either B or B-flat, is it B-flat a 6th up from D or is it B? “

I thought I was being particularly lucid, but I think Kris got away from the lesson without knowing a single thing about the ukulele. That’s a good thing, since it should have been a 4th up, not a 6th.

***

To get to Shiloh National Battlefield we drove through Northern Mississippi and Southwestern Tennessee, and we started driving past Trump signs, Trump flags, Trump bumper stickers. I am surprised there weren’t Trump cut-outs, or even President Trump himself, waving at us from the side of the road. It struck me that if I lived in the area and was Biden prone, I’d be leary of putting a Biden sticker on my car. It just wouldn’t seem a safe thing to do.

Whatever our discontent with one another now, that locale of the first high-casualty battle of our largest discontent is not an easy place to get to. Because it’s not easy to get to, it’s pretty much as it was in 1862. I don’t know why I feel this need to visit our battlefields, but I continue to do so. Reverence and awe is what I feel when I’m there, for young men whose deaths and bravery were a long time ago, and sadness.

Me and William Faulkner.

***

I like to travel in the South. There is always great stuff to see, and many friendly and often peculiar people, and great food. And this trip there was still great stuff to see, but we weren’t stopping to eat anyplace, not even for donuts.

It may have been my imagination but there seemed to be an overlay of hostility about, of all the stupid stuff, masks. East of Nashville we lost an hour, which we hadn’t expected. Kris wanted to stop at a McDonalds because she thought it would be clean and we could get some iced tea and use their bathrooms: corporate America she thought could manage the virus, even if we collectively couldn’t. There was a sign on the door requiring masks, but inside it seemed to be a point of honor for customers to defy the sign. The staff, stressed with the burden of protecting themselves and America, were angry and yelling at each other, and openly hostile to the customers, who, arrogantly standing maskless, deserved their hostility. We stayed, which we shouldn’t have done, then tossed the food into the trash on the way out the door.

If I die because of the coronavirus, I will blame that McDonald’s.

***

Asheville may be one of the South’s better food cities. We had a barbecue pork sandwich at Little Pigs Bar-B-Q, which was very good and which we ordered to go from the parking lot, but you can’t like anything about traveling through a good city with good restaurants and not stopping at any of them because, well, coronavirus. When I picked up our sandwiches the customers inside wore masks, mostly.

***

Kris has a new minivan. Kris loves minivans, and she traded in her ancient Chrysler Town and Country on a new Chrysler Pacifica, which may well be the smartest collection of car compromises ever. It is even a good-looking car, if you can get past its mini-vanness. I hated to drive the Town and Country because it was like driving a bowl of jello; I love the Pacifica, but don’t tell Kris.

We piled so much stuff into that car.

  • tent
  • folding chairs
  • folding table
  • cots
  • sleeping bags
  • kitchen junk
  • food
  • a case of wine
  • some more food
  • stove
  • a five gallon water jug
  • fly fishing gear, including waders and boots
  • more food
  • a Yeti cooler
  • another Yeti cooler
  • still more food
  • a guitar
  • a yukulele
  • clothes, including whites to play croquet in North Carolina, because you can’t play croquet in anything but whites
  • Some more fly fishing gear

And it was all in a constant state of disarray. It was an experiment, to see after all these years, if we could still drive someplace and camp. We did it. We camped for one night. We can do it again.

***

Driving through Mississippi last night at 2 in the morning I told Kris that we were only 10 miles from the Tatonut Donut Shop in Ocean Springs. She said let’s go there and park on the street until they open in the morning. When we checked the internet they weren’t open on Monday. We kept driving. Those are very good donuts though, perhaps the best I’ve ever had. We would have broken up the trip for Tatonut donuts.

***

The Mississippi Delta is Mississippi cotton country, and still today 60% of the population is African American because Delta cotton production was industrial agriculture that depended on cheap labor. That’s where the enslaved were brought. It is also the home of the Blues. It is now one of our poorest regions because in place of cheap labor cotton production has mechanized.

Structurally the blues are usually a 12 bar phrase, repeated again and again with variations. The Blues can be extraordinary sophisticated, think Bessie’s Blues by John Coltrane, or raw and driving, like Cross Road Blues by Robert Johnson. One of the things that makes the blues different from other music is that it is cyclic, there is no chorus, no bridge, the phrase goes that 12 bars, or maybe 16 bars, and then it does it again and then it does it again and then it does it again. Folk music is cyclic as well, and one suspects that there is interplay (or at least a common human bond) between, say, Barbary Allen and Crossroads Blues.

In Clarksdale where we went to see the Crossroads Marker everyone, even people walking randomly down the street, seemed to be wearing masks. It gave me great hope for the drive. One hope, dashed.

***

Downtown Oxford, Mississippi, is charming, with cute shops, restaurants, boutique hotels, and a lovely courthouse with a Confederate soldier out front. There is a current controversy of course about the Confederate soldier, that he should be removed, but forgetting all else it is a charming vignette. It is hard though to forget he’s a Confederate sentinel for the courthouse. He will someday go I suspect, and I suppose I shouldn’t regret it, but I do, a little, but only because the statue is very pretty, and it makes me consider the War.

Current estimates are that there were about 750,000 young men, North and South, who died in the Civil War. If you include Americans both North and South among the dead, it remains our costliest war. We can only speculate at why most of those young men were fighting, but I suspect some of it was that young men fight when called by old men, or maybe, as Shelby Foote told about the answer of a random Confederate private, “because you’re down here.”

If the War was inevitable, both because of slavery and the fragility of the Union some 70 years in, then there had to be Confederate soldiers as well as Union, and the Confederates were as flawed and tragic as Hamlet, or Lear, or best of all, Othello. We may not be able to forgive them, any more than we can forgive Othello the death of Desdemona, but we can recognize their flaw and our collective tragedy. Honestly, I’d like to see that statue stay, rededicated to the dead of both sides, with an addition of a memorial to the cost of the failed Reconstruction and slavery. It would give us a better picture of our history. I suspect that ultimately it won’t stay though, and that’s ok as well.

***

I had a call last night with a young friend, a young African American woman. It started as business but we talked and I told her about driving through the majority-black Delta where everyone wore masks, even walking down the street, and then into East Tennessee, where it seemed a point of honor for the young white men in the McDonald’s to defy mask orders because the Second Amendment and tattoos would protect them. I told her that driving home the night before we had stopped at a convenience store/gas station on the edge of some city, Montgomery I think, and while I filled up the car I watched a series of young black men enter the store to buy cigarettes or beer or whatever.

“They were all wearing masks, right?” She thought that would be the denouement, that the young white men in East Tennessee arrogantly disobeyed the mask signs that the young black men in Alabama obeyed.

“Nope.”

“I thought you were going to tell me they were wearing masks.”

“Nope.” Having been one myself, I think that young men are sometimes just uniformly stupid.

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Happy New Year and Redeye Bass

Samuel D. Ehrhart, Puck’s greeting to the new year, 1898, from Puck, v. 42, no. 1087, Keppler & Schwarzmann, Library of Congress Prints and Photographs Division 

We fished a bunch this year. We fished for cutthroat in Idaho and pike in New Hampshire. In Mississippi I caught my largest fish ever, a black drum, and after fishing for tiny brook trout spent an hour in a peculiarly pleasant Vermont laundromat (which still sends me friendly emails–how did it get my email address?). In the Catskills Joan Wulff told me to relax my shoulder, I jumped a tarpon in the Everglades, and we floated past suburban golf courses near Chicago. I spooked bonefish just outside the fence of the Honolulu airport, while military and commercial jets alternated use of the runway. We stood on ladders in Nevada. It was a good year for for fishing.

Honolulu with Jake Brooks. That’s Kris in the picture, not Jake.

This will start the third year for this blog. Before I kept a blog I kept journals, but a blog is harder. Someone might read it, so the writing needs to be better. My journal now consists mostly of baseball scores and random notes. The last journal entry was during the World Series, October 30. Nationals won. Dammit.

One of the blog’s sideshows is the statistics page. I can keep up with how many people are reading stuff and what country they’re from. I had more than twice the number of lookers this year than last, and I figure not all of those were me reading myself. There’s not a lot of specifics in the statistics. I can tell if someone goes onto the blog on a particular day, what they looked at, and what country they’re from, and there are daily, monthly, and yearly totals. Most visitors are from the States, with Canada a distant second. China is third, but I suspect that most visits from China have more to do with bots than reading. Namibia? Bangladesh? Jordan? I think my kids stopped reading, but I can’t really tell that from the scorecard, so they still got Christmas presents. Where is Moldova?

New Hampshire with Chuck DeGray.

It’s gratifying when someone reads several items, and it’s always fun to see something that I wrote for purely personal reasons, that has nothing to do with fly fishing, get read. Why did that South African read my post from last year about True Grit, and who in England is reading that post about Zurbarán’s Crucifixion? The most popular post for the year was about Ocean Springs, Mississippi, which is a wonderful place and a place I’d encourage anyone to go. My April Fool’s post about buying Pyramid Lake ladders got plenty of traffic.

Early in 2018 I posted a blog that included a lie a guide had told me, about his background as a Navy seal. He wasn’t. He apparently wasn’t any kind of military. In 2019 somebody who knew the guide found the post and it started to circulate. I suppose the guide told the story to work a larger tip, or maybe to justify his wacko right-wing politics. He wasn’t a bad guide, and he told a good story, but I wouldn’t go out of my way to fish with him again. I did leave him a good tip though.

With Richard Schmidt, Pass Christian, Mississippi.

Of all the places we fished last year, the place that surprised me most was the Talapoosa River in Alabama, and the fish that surprised me most was its redeye bass. I had never been on a pretty Southeastern river, so that was some of the surprise, but the fish fit the river. Redeye weren’t the river’s only fish: we caught Alabama bass, bluegill and long-ear sunfish, but it was the redeye that charmed.

They’re a small fish: they rarely weigh more than a pound, but they need clean water and, one supposes, pretty places, because they themselves are so clean-lined and pretty. They have a fine shape, well proportioned scales, fins, and jaws, and a bright iridescent turquoise belly and lower jaw balanced by smallmouth bands of warpaint on the face and olive green horizontal lines rising to their back’s dark mass. Lovely.

Tallapoosa River with East Alabama Fly Fishing

Mathew Lewis is an Auburn-PhD candidate geneticist who studies redeye and has written an excellent small book on fly fishing for Redeye Bass, titled, appropriately, Fly Fishing for Redeye Bass. I’ve fished for river bass before, smallmouth in Virginia and Illinois, Guadalupe and largemouth in Texas, and there’s a commonality to it. Cast to the banks. Cast the slackwater next to current, cast to faster current for smallmouths and slackwater for largemouth. Matthew and I traded some emails, and I meant to come back and write specifically about the redeye, but I never got around to it. I think about those fish and that river though, and it’s a place I would go again.

Catching the five subspecies of redeye should be a thing.

In addition to Matthew’s book there are good things on the web that discuss the redeye:

There should be more.

We spent a great two days fishing with Chuck DeGray as far north as we’ve ever been, and Silver Creek lived up to its hype, but my favorite place to fish–and I suspect Kris’s–was Everglades National Park. It is so alive, so beautiful and isolated, and I promise it wasn’t just because I jumped a decent tarpon. I did jump a decent tarpon though.

Happy New Years! I hope your 2020 is as good as our 2019!

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Mississippi Packing List

Redfish, Shearwater Pottery.

Gear

For a long weekend fishing Ocean Springs, we took a Loomis Asquith 7 wt with a Tibor Back Country Reel (which are now discontinued–why did they do that?), an Orvis HD3 9 wt with an Orvis Mirage reel, and an Orvis H2 flex tip with a Tibor Riptide reel. All the lines were floating. We fished both the 9 weight and the 10 weight quite a bit, and I caught the black drum on the 10 weight. That was probably for the best. We never touched the 7. I love that 7, but guides generally don’t. We fished with Richard Schmidt.

Over time I keep adding random bits and pieces to my leaders. Richard shortened them because he said it was hard for him to track flies on long leaders, and the fish weren’t leader shy. The leaders were probably about eight feet after he’d finished. They all ended with 16 pound tippet. Or 20. Something more than 6X.

What we didn’t take was bug nets. I’m covered with welts from gnat bites. The good folk from Magnolia Fly Fishers swear by Gnaughty Gnat from Marina Cottage Soap Company as a gnat deterrent. There should be signs on the state border. There’s a version of Gnaughty Gnat with an spf 50 sunblock. I ordered some. If I could go back in time I’d order some then.

Flies

Not gnats. We used Richard’s, and it was purple Clousers or Clouser derivatives all the time. Dark skies, dark flies. They were big flies, maybe a #2 on the 9 and a 1/0 on the 10. Not muskie big, but two to three inches long for the largest.

I’ve never fished purple flies before. Live and learn.

Where We Stayed

We stayed at Front Beach Cottages, which I found online in an article in Coastal Living. We were in the Key West Cabin, and there’s irony in that. It was a lovely little place, within walking distance of the cute shops and restaurants, and even closer to the Walter Anderson Museum. It’s a good place.

Talk

Everybody in Mississippi is up for a conversation, so bring your A-game. In a cute shop (Ocean Springs is chock-a-block with cute shops) I had a long conversation with the proprietor about what it was like to be gay in Mississippi, living in Houston, and living in San Francisco. At dinner the people at the table next to us struck up a conversation that went on and on, and after they left their replacements never missed a beat. I can’t even remember what we talked about, but this is not only a world class fishery it’s a world class place for conversations with strangers.

Shearwater Pottery

Shearwater Pottery is in a kind of raggedy compound in Ocean Springs. It was founded by Walter Anderson’s oldest brother, Peter, and all three brothers, Walter, Peter, and James, made their living out of the pottery. It’s now run by descendants, and according to locals some of them still tend towards the eccentric. Richard said a descendent did magnificent tattoos, so if you’re in the market it’s a consideration. Some of the pottery is incredibly beautiful, and I guess because of the influence of Sophie Newcomb Memorial College there is a lot of innovative and interesting decorative and functional pottery made in Mississippi. The Museum of Mississippi History/Mississippi Civil Rights Museum store in Jackson has a great selection of potters from around the state, including Shearwater.

Shearwater Pottery.

Books

I listened to a bunch of stuff, and read some. There is so much great literature out of Mississippi, it’s baffling. Here’s my booklist.

  • Faulkner, The Hamlet. I read The Hamlet 40 years ago and it’s amazing how much of it I remembered, especially the Texan with the spotted horses and Eula Varner. She’s the world’s most literary pinup girl. We listened to it driving back and forth from the Guadalupe River and to Ocean Springs. It’s Faulkner at his happiest, which for other writers is their most grim.
  • Faulkner, Absalom, Absalom!, I probably read this 40 years ago too, but I didn’t remember anything if I did. Faulkner originally wrote this as a children’s book, with illustrations, but then he drank a bottle of Four Roses or ten and things got muddled. Not really about the children’s book, but there probably was some Four Roses. It’s usually compared to James Joyce’s Ulysses, without the humor, and the plot is announced early so you always know what’s coming, but when Henry Sutpen finally kills Charles Bon to stop him from marrying Judith Sutpen it is still stunning, Maybe the most stunning murder ever written, even though you knew from chapter one that it was coming, and the reason: not that Charles is Judith’s half-brother but because he has black blood. It’s perfect Faulkner, perfect.
  • Shelby Foote, The Civil War: A Narrative: Volume 1. I know the Civil War reasonably well, and I thought I could listen to this. I had to re-listen to the same stuff so often that I’d probably recommend buying the book. Where Foote shines is in his anecdotes about the big personages: Lincoln and Davis, Lee and Jackson and the string of Union Generals. He doesn’t have much to say about the small folk, and his descriptions of battles were usually where my mind would wonder. I missed the entire Seven Days Campaign and had to go back to re-listen.
  • Mark Twain, Life on the Mississippi. I’d read it before, so I listened this time. Twain’s observations are so acute you have to trust them, even when he’s at his most outlandish.
  • Jesmyn Ward, Salvage the Bones. Ward has now won two National Book Awards, and her first was for this. She’s on every list, but I was dubious. I invested in a listen and it was stunningly good. Can an old Texas white guy identify with a pregnant black 15-year-old whose brother has a fighting pit bull and whose father is an alcoholic? I reckon. It’s riveting, and the description of Katrina is as gripping as Faulkner’s murder of Henry Bon. She claims Faulkner as one of her influences, and I think he’d be proud.
  • Thomas Merton, Lectures on William Faulkner. Merton did a series of lectures at the Abbey of Gethsemani on Faulkner and some other stuff shortly before his death in 1968. His description of Easter in The Sound and the Fury made me wish that we didn’t drive cars to church. These are great to listen to, and each lecture is about 15 minutes long. I didn’t re-read The Bear (though I had intended to), but I got Merton’s description which may have been better.
  • Eudora Welty, Why I Live at the PO. I read more stories by Welty than just the one, but it was that one that every Mississippian seems to mention. I read it, but after a few drinks in our little cabin in Ocean Springs we played a YouTube recording of Ms. Welty reading the story. It’s worth doing both, and Kris suspects every Mississippian mentions the story because listening to Ms. Welty was the high point of 10th grade English. The talkative store owner said his sister’s cat was named Stella-Rondo, which I vow to appropriate if I ever own another cat.
  • Mark Childress, One Mississippi. I read this when it was published, and started listening to it but never quite finished. Parts of it ring true, parts don’t, but what Childress does catch is the 1970s. That’s pretty much exactly how I remember it.
  • Greg Iles, Natchez Burning. This is the first of a trilogy, and it’s a pretty engaging road trip listen. By volume two it’s just a bit too outlandish, even for Mississippi. I think Kris listened to all three. I got bored.
  • Westley F. Busbee, Jr., Mississippi: A History. It’s a college textbook so it’s pretty dry, and only got to the Civil War. I’d like to read through Jim Crow and the Civil Rights movement, and maybe I’ll get there when we go back for Kris’s fish.
  • Elijah Ward, The Blues: A Very Short History. This is a personal beef of mine: If you’re going to produce an audio book about music, why not do it right and include snippets of the music you’re writing about? It seems like the best of all possible media. The book has a particularly good chapter on Jimmie Rodgers.
  • Richard Grant, Dispatches from Pluto. I love books like this, and it was apparently a New York Times bestseller when it was published. It’s a memoir of an English literati who moves to the Mississippi Delta with his then girlfriend, now wife. Grant is a careful and sympathetic observer, and he likes pretty much everybody and makes them likable, notwithstanding flaws. I’m guessing he’s a lot like Mississippi, but I wish he’d mentioned the gnats.

Donuts

Tatonut Donuts in Ocean Springs is the best. The donuts aren’t elaborate, but they’re still warm and if you eat in the shop you can get coffee in a real ceramic mug. Every donut shop should do this. We had a second breakfast at Phoenecia Gourmet, and that was pretty good too. On the road trip we also hit both a bakery and a donut shop in Lafayette, Louisiana, which may have more real bakeries per capita than anyplace in the world short of Paris. And I’ve yet to run across a donut shop in Paris.

The dozen oysters we ate at Charred in Ocean Springs before dinner were uniform and plump, as good of Gulf oysters as I’ve eaten, and Richard explained that they were farmed. At Vestige where we actually ate dinner the other diners were memorably talkative. Mary Mahoney’s Old French House in Biloxi feels like it’s 30 years past its prime, but the Chimneys in Gulfport is outstanding. That was the best sauced tripletail I’ve ever eaten.

Tripletail, The Chimneys, Gulfport.

Where We Didn’t Go

We still haven’t been to Oxford, and we haven’t been to a juke joint in the Delta. We haven’t caught a sunfish or a bass or a catfish in freshwater, and of course Kris didn’t catch a fish. Did I mention I caught a big fish? Let me show you a picture.

Music

There is so much great music out of Mississippi. Here’s a list of who was on our playlist, and I’ll only talk separately about stuff that was particularly interesting to me. Albert King, Mississippi John Hurt, Elvis Presley, Mississippi Fred McDowell, B.B. King, Robert Johnson, Faith Hill, North Mississippi All-Stars, Cedric Burnside, Jimmie Rodgers, Muddy Waters, Howlin’ Wolf, Cream. It could have had a dozen more.

  • Johnny Cash & June Carter, Jackson. This was very popular when it was released in 1967. Kris had never heard it. She’s a lot younger than me.
  • Cedric Burnside. This was a surprise. When you listen to Burnside you hear bands like the White Stripes and the Black Keys. He should be as well known.
  • Faith Hill, “This Kiss“. I originally downloaded a bunch of Faith Hill, then I got rid of everything but “This Kiss.” It’s an infectious song, but listening to Hill made me think less of country music than of a Broadway musical without the complexity of a Broadway musical plot. I couldn’t take it. She did record the theme song to Lilo and Stitch, which is one of the strangest movies ever.
  • North Mississippi All-Stars. This is a current band, and a band I’d go out of my way to see.
  • Jimmie Rodgers. I think I’d always confused Jimmie Rodgers with Governor Jimmie Davis from Louisiana, who may or may not have co-written “You Are My Sunshine“. I had never listened to Rodgers, who’s considered one of the foundations of country music, but is just as important as a white guy singing the blues. On “Blue Yodel No. 9” Louis Armstrong on trumpet and Lil Hardin Armstrong on piano accompany Rodgers on the blues and where the heck did that come from? With yodeling? Elijah Ward says that Howlin’ Wolf said that he howled because he couldn’t yodel like Rodgers, which if true may be the single wittiest thing anyone has ever said.
Jimmie Rodgers, source unknown.

Movies

O Brother Where Art Thou. There’s a cover of Jimmie Rodgers’ “I’m in the Jailhouse Now.”

Mississippi Burning. Mississippi had more than its share of Civil Rights Movement confrontation and violence. Richard Grant tells a story about pulling up to the collapsing store in Money, Mississippi, where the Emmett Till tragedy started. The tag line is basically that the folk of Money were exhausted: the murder of Emmett Till was the only thing they were known for. I suspect a lot of Mississippi, black and white, feels that way and wants to move on. I thought Mississippi Burning was no worse than it should be, but I suspect moving past that story line is the real story about modern Mississippi.

Guitar.

I took the Kohno, and sat in front of our cabin and played Bach. Another guest asked if I was hired or a guest which was flattering, but I should have told her I worked for tips.

Walter Anderson, Part of a Wall, Ocean Springs Community Center Mural, 1951.
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Ocean Springs

Walter Anderson, Detail, Ocean Springs Community Center Mural, 1951.

We fished Saturday and Sunday. That seems like a small thing, we fish lots of Saturdays and Sundays, but so far this year I have caught a tiny bluegill (which was all I caught in January) and two small rainbows (which were all I caught in February). Meanwhile we’ve fished at Key West, Oahu, on the Texas Coast, and in the Hill Country. Since we were in Mississippi to try for another state things were bound to go wrong.

And last Saturday was bad even for March fishing on the Gulf. it was overcast and there was a 20+ knot wind from the south–which meant if we had just stood still and held our arms out we could have visited Memphis. To get to the leeward side of Horn Island we had to quarter the wind eight miles through three-foot slop, the kind of scary slop that in our skiff by ourselves would have left us alternately screaming at each other and clinging to each other in terror, hoping we didn’t die.

Our guide, Richard Schmidt, ran the right boat for the water, a Hell’s Bay Marquesas with a 90 hp Suzuki, and we were always perfectly safe. But Richard was pretty dubious about taking us out in that weather, and my jokes about us being casting impaired didn’t help any. The high wind coupled with the low chance of enough sun to see fish left things pretty sketchy, and when Richard suggested that sometimes his customers were casting challenged, I chimed in that he’d be well prepared for us. The joke fell flat. This was not a funny day. I was worried he was going to turn the boat around.

Instead he took us on to Horn Island. He had boiled crawfish and beer in the cooler, so whatever happened we were going to have a good day, and I would have gone to Horn Island just to see it.

Walter Anderson, Turtle Diptych, Walter Anderson Museum, Watercolor on Two Sheets of Typing Paper, c. 1960.

Horn Island is part of the Gulf Coast Islands Seashore, and it’s a national treasure because, while it’s pretty enough–eight miles of sculpted pines and sugar white sand and dune colors–it’s Walter Anderson’s subject. I kept saying it was beautiful because, well, it was, but it was also beautiful because my eye had been prepared by Anderson. It’s hard not to see Anderson everywhere on the island.

I had never heard of Walter Anderson until I read The Gulf: The Making of an American Sea. Jack Davis spends pages talking about him, and having read Davis the first thing I asked the lady at the front desk at the Walter Anderson Museum of Art was whether he was really crazy? “No,” the nice lady said, “He was just eccentric.” Mississippians being polite have eccentric, us Texans being harsher have crazy.

At dinner Friday Kris and I had talked mostly about Anderson–the lady at the desk said she personally thought he was bipolar, and that may not be crazy all the time but it’s at least eccentric. There were so many things to talk about, about how he lived apart from his family but how still from time to time new children would appear, about how he tied himself to a tree on Horn Island to experience Hurricane Betsy, about his long trips rowing the eight miles to Horn Island to live and sketch, and about his genius. Mostly about his genius. His work is so brilliant, so evocative of the place and more than a bit madly obsessive. How do we all not know Walter Anderson as well as we know Van Gogh, as well as we know Picasso? At least as well as we know Donald Judd?

And Horn Island is exactly what you see when you see much of Anderson’s work. Plus, right off the bat I caught a fish.

It wasn’t a very big fish. It was a 16-inch red that took my fly when I blind-cast to a place that to me looked fishy. The fish was silver, not red or bronze, with the bluest tail I’ve ever seen. Everything in Mississippi has the blues. After that Kris camped out on the casting platform and pretty much stayed there. I napped and ate crawfish, so I was happy, mostly. Kris hooked a redfish, too, a good 20-pounder, but the leader broke. Wind knot? probably a wind knot. There wasn’t a pig tail, so it wasn’t a badly tied connection, and anyway I’m sure that all of my knots are always perfect. The tippet was Rio fluorocarbon so even though the spool was a few years old it shouldn’t have snapped without some cause. Wind knot.

Otherwise while Kris fished I tried to take photos of the bald eagle and the ospreys on the island, and when I walked up into the dunes for a rest break I saw raccoon and seabird tracks in the sand. There was a moment when I was allowed a brief, very short stint back on the casting platform and watched hundreds of schooled sheepshead streaming down the beach, aggregating for their spawn. It is such a living place. We got some sun, and when we did we saw fish. We got some shots.

Sunday the problem wasn’t wind. There was no wind so instead we got fog, heavy fog that Kris and I wouldn’t have braved alone and that nobody else did either, and gnats. Gnats from hell. Gnats that we breathed, and ate, and that searched out every small bit of exposed and un-sprayed skin for a good feed. I was on the platform at one point and I looked down at a bit of hand I’d missed with bug spray and there were at least 200 gnats a’swarming. I have gnat bites on my bald spot. I have a raccoon-ring of welts around each eye where the Buff didn’t quite meet my sunglasses, and where I had avoided spaying bug spray for my eyes. Driving home Sunday, about the time we reached Louisiana, the gnat bites started itching. They were still itching 24 hours later.

Richard ran the boat 30 minutes through fog into the marshes out of Pass Christian, which is pronounced “Pass Christy-Anne,”with just a hint of “-ch-” between the “t” and the “y”. The water wasn’t clear, it had been better when we’d fished the day before, but Richard said that even in the marsh it usually was clear on the east side of the Mississippi. The Corps was diverting freshwater out of the Mississippi River through Lake Pontchartrain into the Gulf to avoid flooding downriver from New Orleans, and it killed the clarity. Apparently it also kills the oysters.

Richard said that beginning in May he guides mostly for jack crevalle on the flats and triple-tail near the crab traps. Kris never did catch a fish, so I’m thinking that means we need to go back. I’ve never landed a big jack crevalle. I’ve never fished for triple-tail. Plus the Mississippi Coast may be as pretty a place as I’ve ever fished.

And on the second day, late in the day, Kris let me on the platform just a wee bit more and I saw a swirl in a couple of feet of water and made a magnificent 90-foot cast to set my fly on the nose of the new world-record black drum. Ok, I’m lying, it isn’t the new world-record black drum, but it was one huge black drum–in the Gulf Coast parlance a big ugly. Richard thought it weighed somewhere between 40 and 50 pounds, so it was at least 60. And of course it’s growing.

And ok, I’m lying. It wasn’t a magnificent 90-foot cast, it was more of a rod-lenth flick. The fly was purple, with barbell eyes and it probably traced its lineage to a Clouser. I was fishing a ten weight Orvis Helios II and a Tibor Riptide (it’s probably important that you know that the Tibor was blue and that my shirt was sea-foam green). People always say black drum are blind, and maybe they are, but this drum made a six-inch rush to my fly, ate it, and I strip set. I really did. I strip-set.

Then everything stopped. The big drum pondered a bit and started to mosey away. It stopped, started moving again, realized it was hooked to something, and then it did something black drum don’t do: it ran. Their cousin the redfish will run, but black drum usually hunker down and make you pull them out. Ok, it didn’t run wild and fast like a permit or a jack, it didn’t twist and jump like steelhead, it ran like a train, straight and hard and purposeful and surprisingly fast, all the way into my backing: bubble-gum pink by the way, I’d never seen it before from that angle. Then when it stopped and figured out it was still hooked it ran some more. And then it ran some more. Richard polled in its direction which helped, but every time I started bringing it back it ran some more. It was big and it ran.

It didn’t take that long to land, less than a quarter hour, but it was some work. When I brought it boatside and Richard lipped the fish with his Boca Grip the hook fell out. We got some pictures, though they didn’t do it justice. Look at those shoulders! That color! That tail hanging halfway to the deck! It may not have been a world record, but it was without doubt the handsomest big ugly ever landed. It probably would have shown better if I’d held it up in front of us, arms extended, but I’m not sure I could have lifted it.

We fished a couple of more hours, and would be fishing still if it were up to Kris and Richard.

I loved fishing Ocean Springs. I have rarely been to a prettier place. Richard was a fine guide, plus he brought crawfish, and once you get past the Biloxi casinos the Mississippi Coast is charming. And did I mention? I caught a big fish–the black drum of the world, the most beautiful black drum ever landed and for that moment I was the handsomest gnat-infested angler who ever landed a fish. There just aren’t better places.