Alaska Packing List

Gear

We took too much stuff.  On our flight to Quinagak we were limited to 50 pounds apiece of luggage, and we pushed the limit.  They let us on the plane with 101 pounds, but don’t tell anybody. We did well enough on clothes—Ok, I had one too many pairs of long underwear, but Kris ended up borrowing the extra. I have very stylish long underwear.

Where we failed was with fishing gear. We only used four rods, four reels, and four lines.  We would have done just fine with nothing but the the two big Spey rods and the two seven-weight single-handed rods that we used for trout.

Meanwhile I had packed five more rods and reels, just in case. I did use some of the flies I tied, which always makes me happy.

Besides long underwear, I had a pair of pile pants to wear under my waders that worked well, and a couple of sweaters, one wool and one capiIene. I don’t think I took the sweaters off until day six. On that sunny day it got within the vicinity of almost hot and all the guides were sporting t-shirts. Show-offs.

Our rain gear got a work out, and the knit cap that fit over my baseball cap did double duty, both keeping me warm and providing padding when I whacked the back of my head on bad casts.

I took the new pair of waders Kris gave me for Father’s Day.  Waders are expensive, and sometimes they spring leaks.  My last pair were good Patagonia waders that I’d had six or seven years, but the last couple of times out I’d ended up with a wet butt. I’d tried to seal them, but never could find the leak.  We have a water feature in our back yard, a shallow pool with a fountain, and weekly in May I’d put on a pair of khakis and my waders and go sit in the cement pond to see if I’d fixed them yet. I never did.

The new waders have a front zipper, which is a recent innovation. Why a front zipper? So it’s easier to pee of course.  I’m here to report that for an old man, the zipper is the greatest thing ever, right up there in the list of civilization’s achievements with fire, the wheel, and yoga pants.

The Camp

I had the notion that our stay at Alaska West would be glamping. It wasn’t.  Now mind, it was perfectly comfortable.  The tent had a propane heater, each cot had its own mosquito net, and there were hangers on a galvanized pipe.  The food was good and would have paired well with beer if Quinagak hadn’t been dry.  We made our sandwiches each day for our riverside lunch, and there was a perfectly adequate selection of cold cuts. On some days there were Cheetos. The camp runner made our bed each day, and while the cot was made out of 2x4s and a sheet of plywood, it was comfortable, and like I said, it came with mosquito netting. All the luxuries.

Demonstrating the Nap T.

That said, nobody knew the thread-count on the sheets, and a memorable part of each shower was spent alternating between cold water and scalding. There were plenty of outhouses though, and there was a shower, not just a hose with a foot pump. I’m sure that in Alaska there are glamorous lodges with down comforters, plush towels, adjustable shower heads, bottles of pinot noir, micro greens applied to plates with tweezers, and flush toilets, and I wouldn’t have minded any of those things, but I also liked our camp at Alaska West. I liked it a lot.

Besides us, there were eight other anglers in camp the week we were there, and Kris and I were the only anglers who hadn’t been there at least once before.  Three anglers were from Britain, and one, from California, came every summer and was spending two weeks. Apparently there are a lot of repeat customers.

You know what’s great about almost endless sunlight? You don’t have to find a flashlight if you need to pee in the middle of the night.

Anchorage and Seward

We were in Alaska for ten nights, seven in camp, two in Anchorage, and one in Seward. We flew out of Anchorage at 11 pm on the night we got back from the Alaska West camp, with an Alaska Airlines flight from Anchorage to Denver. In Denver we changed planes and airlines, and got home at 2 the next afternoon. I honestly don’t remember a thing about that flight home.

To get there we flew into Anchorage three days early and took a sightseeing train across the Kenai Peninsula to Seward. The Alaska Railroad is terrific, and they had a tour package that included a visit to a dog-sled kennel, a hike to a glacier, and then a six-hour boat tour of Kenai Fjords National Park. We saw whales! We mourned accelerated glacial melting!  We saw seals and sea otters and kittiwakes! No wonder people go on cruises to Alaska. 

In Anchorage we stayed the first night at the Comfort Inn Downtown–Ship Creek, so that we could walk to the train station the next morning to catch our train to Seward. We had stashed most of our luggage at our third night’s hotel, The Lakefront Anchorage. In between those two we spent the night at the Harbor 360 Hotel in Seward, which was part of the train tour package. Little known fact, but every hotel in Alaska is required by law to have a stuffed bear in the lobby, and the really fancy places will also have a stuffed muskox.

We ate in Seward at The Cookery.  If you own a tourist-dependent restaurant in Seward, you open each year in late spring and close down in the fall, but The Cookery was good enough that if they opened in February I’d go back to Seward just to eat there. What great oysters they have in Alaska.

Food in Anchorage was pretty hit or miss, but our first night there we ate at a popular brewpub, The Glacier Brewhouse.  We didn’t have a reservation but they seated us at the bar.  Our waitress was from Katy, Texas. The couple next to us at the bar was from Monahans, Texas.  I think there’s a good bit of Texas in Alaska, and it just goes to show, wearing an Astros cap is never a bad choice. 

Playlist

There is a lot of good writing about Alaska, and there are some pretty good movies, plus we bought the boxed set of six seasons of Northern Exposure, which is still the best thing ever broadcast on network television. It’s too bad that Janine Turner is a nutcase.

Music, though, is limited.  There’s “North to Alaska” by Johnny Horten, and I found a pretty good cover of it by a blue grass performer, David Mallett.  There’s the song, “Alaska” by Maggie Rogers, which she wrote in Boston, and “Anchorage” by Michelle Shocked which I suppose she wrote in Texas. There’s a band, Portugal the Man, which is likely the best thing to ever come out of Wasilla, Alaska, though I gather they’re now based in Portland. Their stuff is very good, and you’d likely recognize a song or two.

After that Alaska seems to turn out female singer-songwriters, led, of course, by Jewel, and including Anna Graceman, Janet Gardner, and Libby Roderick.  I’ve got nothing against female singer-songwriters, I’ve got nothing against Jewel, but of the 39 songs on our Alaska playlist, 30 were by female singer-songwriters, and 19 of those were by Jewel. It made one yearn for another run-through of North to Alaska.

I was surprised at the lack of country and western singers from Alaska. With all those Texans, it seemed like an obvious choice. Maybe I just missed them.

Guitar

To save weight, I took my small travel guitar. I bought it originally so that I wouldn’t cry if it was accidentally destroyed, and I had visions of having to leave it in a trash can to make the Quinagak weight limit. I didn’t have to leave it, and it survived another trip. I took the music for “Recuerdos de la Alhambra”, a song I’ve played through from time to time but never learned, and worked on that most evenings.  I’m still working on it, and probably never will learn it. 

Connecticut Packing List

Gear

We fished with Bert Ouellette on the Housatonic River, and mostly we fished with Bert’s stuff. We had rods, but Bert said we’d use our rods, a 5-wt for Kris and 6-wt for me, for dry flies. we never fished dry flies, so we never used our stuff.

Instead we fished Bert’s 6-weights, good Orvis Recon and Orvis Helios 3 rods, with sinking lines for bait-fish streamers and a complex leader at the front of a floating line for deep underwater nymphs. For non fly-fishers, I could go into endless detail about all this but your eyes would glaze and you’d wonder off to the kitchen to see what’s in the icebox. It’s not worth the explanation. Leave it be that they were very good rods, set up in pretty sophisticated ways for fishing the river as well as we could fish it. It all worked.

We were fishing out of a drift boat, and never waded in the river, but it was raining the first day so we wore our waders as rain gear. Because we had studs in our boots–think hob-nailed boots, but with screw heads, not nails–we didn’t wear our boots in Bert’s boat. Since we never got out of the boat, neoprene stocking feet were fine.

I’ll only indulge in one bit of fly fishing arcana. At the end of the second day Bert told me that his dry fly leader–remember, we didn’t get to fish dry flies–was usually 25-feet long. The leader is the (usually) nine feet of monofilament line that attaches to the end of the thick plastic-covered fly line. The fly line is the heavy part of the whole business that actually casts, and the leader connects the fly to the fly line. I’m usually feeling mighty lucky if I can cast 25 feet of the fly line, and Bert was fishing 25 feet before he reached the line. He promised to send me the formula, and when I get it, I’ll look at it and gape. I doubt that I’ll ever be brave enough to fish a 25-foot leader.

Restaurants and Inns

In northwestern Connecticut, we were in the land of the cute country inn. There was a cute tiny town every 15 miles or so, with some cute restaurants, and some cute shops selling electric bicycles or Shaker furniture, and a pretty covered bridge and then another pretty covered bridge and some charming barns, and all of it with just a whole lot of charm and prettiness and cuteness and smartness.

I keep a running list of places to stay or eat or fish in different states, and the White Hart Inn, Salisbury, Connecticut, was on my list, probably cadged from some magazine article that caught my eye, and it was near enough to the Housatonic for us to stay there.

The original part of the Inn was built as a farmhouse in 1806. Here’s the Inn’s description from its website:

The property features 16 guest rooms, three dining rooms, a taproom with a full-service bar, two outdoor dining patios, a large porch with drink service, a ballroom and café. The artwork of Jasper Johns, Frank Stella, Terry Winters, Donald Baechler, Hugo Guinness and Duncan Hannah is displayed throughout the premises.

I have to admit, I’ve got no clue who Terry Winters, Donald Baechler, Hugo Guinness, or Duncan Hannah are, but I’m certain it’s my loss. What’s worse is that I noticed none of the artwork displayed through the premises. I did have two great dinners in the restaurant, and it was a completely cute and smart and charming place. Score.

Fly Shops

There are no fly shops in northwestern Connecticut. Bert said there was one, but then one day it was open and then the next day it was closed. I’m going to use that as an excuse to tell you about the fly shops we visited in New York.

We started the trip at Joan Wulff’s casting school in the Catskills, near Livingston Manor, New York. There are actually two nearby towns, Livingston Manor (which has its annual Trout Parade), and Roscoe (“Trout Town USA“). Look, I’m a relatively unsophisticated trout angler, and always feel that if I catch a trout, the fishing gods for some peculiar reason have smiled on me for my innocence and devotion. The Catskills though are the area where American trout fly fishing developed, and reached a level of sophistication that still defines the sport. The Catskills have had other things going on–Jewish Borscht Belt humor for instance, and Hudson River School painting. In recent years it’s become a destination for Brooklyn hipsters seeking a weekend in the woods. But trout, and fly fishing, have been the area’s mainstay for 150 years.

In Roscoe, New York, there are three fly shops on one street. Roscoe, population 541, has almost as many fly shops as Houston, population 3 million. In Livingston Manor, just up the road from Roscoe, there is Dette Fly Shop (which actually moved to Livingston Manor from Roscoe). Dette opened in 1928, and inside it looks exactly like a fly shop from Diagon Alley. It’s now owned by the third generation of Dettes. I’ve been tying flies for Alaska, and had a list of obscure materials that I couldn’t find in Houston. Dette had it all, and the counter help led us down aisles packed with obscure bits of fluff and feathers to find a dozen different colors of the very thing crammed into a bin stacked underneath another bin.

It was highly entertaining, and going there and looking at the place is a pilgrimage for every fly fisher. It was so packed with stuff that they displayed fly rods on the ceiling because there was otherwise no space. On. The. Ceiling.

Charles Ives, Wallace Stevens, and Mark Twain

I ran into Charles Ives and Wallace Stevens–figuratively, not literally–at roughly the same time, in Mrs. Miller’s American Literature class my junior year in high school. She played The Unanswered Question in class for us, and ever since I’ve had a fondness for Ives. I don’t think it’s misplaced, though Kris would disagree. She found the number of Ives pieces I had on my Connecticut playlist annoying.

Charles Ives, 1913

Me on the other hand, I love Ives. I love listening for the Easter eggs in his music, and the complications, and the moments of intense serenity. I read once that Ives is hard for musicians because of the dissonances, rhythmic tumbles, and linear incoherencies. To me that’s the fun of it, but I did download a lot of Ives.

Ives was born and raised in Connecticut, attended Yale, then owned and ran an insurance agency in New York. He is considered the originator of modern estate planning, at least by Wikipedia. He wrote his music in obscurity, but was wealthy enough to be a New York music patron and to fund, from time to time, performances of his music. He wrote music for 20 years, then more or less stopped. He may be the fifty states’ most significant composer. Me, I just find the notion of two marching bands in the town square playing different tunes at the same time completely believable, and delightful.

Stevens, on the other hand, is a different kettle of fish. He was born and raised in Connecticut, attended Harvard, then worked as an insurance company lawyer in Hartford. Does this sound familiar? His poetry is obscure and difficult. Does this sound familiar? I had to write an essay about the Emperor of Ice Cream.

Take from the dresser of deal, 
Lacking the three glass knobs, that sheet 
On which she embroidered fantails once 
And spread it so as to cover her face.

That essay still embarrasses me. Did Mrs. Miller think that a 15-year old would understand what death has to do with a roller of big cigars from the preceding verse, or concupiscent curds? I didn’t, but I take comfort now in knowing that even though I like the poem, and could probably recite it by memory with a wee bit of preparation, I still have little clue what’s going on.

Stevens was apparently kind of difficult. There is the famous punch-out of Stevens in Key West by Ernest Hemingway, instigated by a probably drunk Stevens, but better still is the famous put-down of Stevens in Key West by Robert Frost, whose poetry is, at least, mostly comprehensible:

“The trouble with you, Robert, is that you’re too academic.”

“The trouble with you, Wallace, is that you’re too executive.”

“The trouble with you, Robert, is that you write about– subjects.”

“The trouble with you, Wallace, is that you write about– bric-a-brac.”

Bric-a-brac. Was there ever a harder slam? And it was, after all, a sheet on which she embroidered fantails once. If that ain’t bric-a-brac, what is?

Sylvia Salmi, Wallace Stevens, 1948.

Anyway, for 50 years I’ve off and on tried to read Wallace Stevens with some comprehension, appreciation, and intelligence. I’m a failure. Sometimes there are moments of brilliance that make it through to my small brain–“death is the mother of beauty“–sometimes there are moments of sublimity–“for she was the maker of the song she sang./The ever hooded, gesturing sea . . . “–but mostly I’m just stupidly baffled. I should give it up, but I probably won’t.

Mark Twain, an adopted Connectician, wasn’t born in Connecticut, and didn’t attend either Harvard or Yale. He did move to Hartford in 1873 and became a director of the Hartford Accident Insurance Company. As a director he gave a brilliant speech on the importance of accident insurance:

Certainly there is no nobler field for human effort than the insurance line of business–especially accident insurance. Ever since I have been a director in an accident-insurance company I have felt that I am a better man. Life has seemed more precious. Accidents have assumed a kindlier aspect. Distressing special providences have lost half their horror. I look upon a cripple now with affectionate interest–as an advertisement. I do not seem to care for poetry any more. I do not care for politics–even agriculture does not excite me. But to me now there is a charm about a railway collision that is unspeakable.

Mark Twain, Speech on Accident Insurance, 1874.

Unlike that other Hartford insurance man, Wallace Stevens, Mark Twain is mostly comprehensible.

Pizza

New Haven is particularly famous for its pizza. Bert said we had to have the pizza on our way back to LaGuardia, and said that since we wouldn’t go through New Haven we should stop at the Frank Pepe’s in Danbury. Frank Pepe is credited as the originator of New Haven style pizza, The Guardian claims that the original Pepe’s pizza in New Haven is the best in the world, and The New York Times says that even the Pepe’s outlets are consistently good.

We ate at the Danbury outlet. It was the best pizza I’ve ever eaten. Dear Lord, please let me eat that pizza at least once again.

I’d show you a picture of the pizza, but we ate it before we thought about a photo. I did get a picture of the box.

Where We Didn’t Go

I’d like to have visited the Mystic Seaport Museum. Maybe when we go back to Rhode Island we’ll sneak across the border.

Playlist

Charles Ives, of course.

Did you know the Carpenters are from Connecticut? Karen and Richard. My senior year in high school, they had to be the most popular singers in America, and I thought then that if I never heard Close to You Again, my life would be richer for it. I despised them.

The Carpenters and Richard Nixon, 1973, White House Photo.

Look at that hair! The Carpenters’ hair is pretty remarkable too.

I suppose that I’ve mellowed since I was 17, but if I hadn’t gone to Connecticut I would never have heard Close to You again. And I was right. I would have been richer for it.

On the day that you were born the angels got together
And decided to create a dream come true
So they sprinkled moon dust in your hair of gold and starlight in your eyes of blue

Who can say those words with a straight face, or at least a crippling dose of irony. The only thing I can say is that there are worse things on a Connecticut playlist. Michael Bolton is also from Connecticut.

Laura Nyro is from Connecticut, and I love Laura Nyro. Sometimes the only thing better than Laura Nyro is listening to covers of Laura Nyro: And When I Die by Blood Sweat & Tears, Wedding Bell Blues by the 5th Dimension, Stoney End by Linda Ronstadt (ok, ok, and Barbara Streisand), Eli’s Coming by Three Dog Night . . . Such good stuff.

Laura Nyro, circa 1968, from Wikipedia

I came across an interesting Laura Nyro factoid, that after Al Kooper left Blood, Sweat & Tears, but before David Clayton Thomas, the band invited Laura Nyro to be the lead singer. She turned them down. Lordy, Lordy, what might have been.

The jazz pianist Horace Silver is from Connecticut, and there’s a very good big band song, Connecticut, that was recorded by Judy Garland and Bing Crosby, and by Artie Shaw. I liked the song Kylie from Connecticut by Ben Folds a lot.

Willie Deville of Mink Deville is from Connecticut, and after his punk phase he moved to New Orleans and recorded some terrific Americana, including covers of Spanish Harlem and Come a Little Bit Closer. John Mayer is from Connecticut, and is perfectly acceptable.

It was, all told, a pretty good playlist, though Kris got sick of all the Charles Ives.

I remember when Mrs. Miller played The Unanswered Question for us, she left me thinking that the question unanswered was something big, existential, the meaning of life and whatnot . . . When I hear it now I amuse myself by substituting other questions: Would you like to go to prom? What’s for dinner? Where did you fish? I guess those are pretty big questions too, and in my experience as like as not to be unanswered.

Guitar

I took the Kohno and played a good bit, especially on the front porch of the Beaverkill Valley Inn in New York, mostly trying to relearn a transcription of Cadiz by Albeniz. Bert promised that he would send a decal for my guitar case, and I need to follow up.

The White Hart Inn dining room.

Kentucky Packing List

Gear

We took waders and wading boots. It was March and still cold, so we also took sweaters and rain jackets and gloves and knit caps. We took long underwear. We needed the sweaters, and long underwear helps when you wade in cold water, but the gloves (and the mukluks) were a bit of overkill.

I‘ve written already about my new/old bamboo rod. I used a 6-weight, weight-forward floating line with a 9-foot 4X leader, which is meaningful if you fly fish but gibberish if you don’t.

I used a Hardy Duchess reel, which is a newer reel that harkens back to designs from before the last World War, or maybe the one before that. It’s handmade in England, is very pretty, and most of all it looks right with a bamboo rod.

You don’t really use a reel when you fly fish for freshwater fish. To bring the fish in you just pull in the line by hand and let it pile up at your feet, so honestly the reel has a lot in common with ear rings or the color of a car’s paint job. It’s meaningful but not essential. That means that for no rational reason your reel needs to be as pretty as possible. The Hardy is very pretty.

I caught my wee trout on a dry-dropper rig, a dry fly floating on the surface so that I could see it and a trailing nymph underwater. The dry fly was a #14 Royal Wulff, which seems to be my go-to dry these days, and the nymph was a random #14 pheasant tail mayfly nymph that caught my eye when I poked through my fly box. I watched the dry fly so that when it went under, I knew the fish had taken the nymph.

Whiskey

By law, when you go to Kentucky, you are statutorily required to visit at least one whiskey distillery for each day you’re in the state. Kentucky makes it convenient by locating a distillery every 37 feet. We were in Kentucky three days and met the statutory minimum for distillery visits.

What is or is not bourbon is defined by statute. It must be corn-based, and it has to meet certain standards during distilling and aging. Whiskey taxes were a significant source of revenue for the federal government in the 19th century, and 1897 laws regulating bourbon pre-dated the 1906 Pure Food and Drug Act. By 1900 if you were buying bonded bourbon, you were buying something that didn’t contain lead, or wood alcohol, or any number of other things that shouldn’t be in the bottle. Not that it was good for you, it just wasn’t as bad as it might be.

Other than being American, bourbon doesn’t come from a particular place. It doesn’t have to be made in Kentucky. There are bourbon distilleries located in places like Indiana and Ohio and Texas, but Indiana bourbon just doesn’t trip off the tongue. When one thinks of bourbon, one thinks of Kentucky.

KyBourbonTrail.com

There is a side-note here, about water. A waitress in Southern Kentucky apologized to us for Kentucky’s lousy drinking water. I’m guessing that she was saying that her local water was poor quality, but the area where bourbon historically comes from, the area of North-Central Kentucky west of the Appalachians, actually has great water. That’s one of the reasons that bourbon is made in Kentucky. Well, great water and corn. Well great water and corn and money.

When we fished the Driftless in the Midwest I learned that what makes the Driftless special is its karst topology. Karst is characterized by relatively porous sandstone, dolomite, and limestone lying close to the surface and from time to time poking through. In Kentucky, the rock is mostly limestone. Water that seeps underground fractures the rock–Kentucky’s caves, including Mammoth Cave, are the products of fractured and hollowed limestone. Water literally runs through the fractures and seeps through the pores, and the pressure from rain forces clean and mineralized water out at springs. There are springs everywhere. For fly fishers, it’s one of the best things going. The resulting spring creeks, clean and enriched, support plenty of bug life, which in climes further north support trout and should support smallmouth in Kentucky. It’s also one of the best things going for whiskey.

Kentucky Geological Survey, Karst Topology of Kentucky. The dark blue is the heaviest karst areas, the light blue less so.

Over the course of a couple of days with an additional day fishing, we toured the Buffalo Trace, Makers Mark, and Woodford Reserve distilleries. At Woodford Reserve, the tour guide distilled (get it? get it?) whiskey making for us: whiskey making is making beer and then distilling the beer to clean out the mess and concentrate the alcohol. It’s not, he told us, very good beer, but I guess bad beer makes pretty good whiskey. To be bourbon, it has to be at least 50% corn-based and and the distilled beer must be barrel-aged in new oak barrels. There’s no minimum time for aging, but the longer it ages, the better it should be, but the longer it ages the more loss there is from evaporation, the longer it has to be stored, and the more expensive it all becomes.

There are few things that smell better than a warehouse full of aging bourbon in oak barrels.

Where We Stayed

We stayed in the 21C Hotel in Louisville. It’s the third time we’ve stayed in a 21C. The other times were in Bentonville, Arkansas, and in Kansas City. They’re a bit pricey, but they are unbelievably friendly to pets, have interesting art everywhere, and lurking red plastic 4-foot penguins that you can move around in the hallways to disturb your neighbors. The first of the 21C Hotels were in Lexington and Louisville.

Louisville is not a rich city. Kentucky is a poor state generally, and I guess it always has been. After all, Daddy sold a hog each fall to buy us kids shoes. On the flip side, there’s a lot of wealth–just drive down a horse-farm back road. Those splits, poverty/wealth, whiskey/conservative Protestants, urban/country, they all seem harder in Kentucky than in other places, at least harder than I’m used to. Kris thinks I’m making it up. She thought Louisville was great.

Where We Didn’t Go

I never made it to the Louisville Slugger Museum. It was two blocks from our hotel, and I never made it.

We never made it down by the Green River where Paradise lay. We never saw Appalachia from the Kentucky side (we’ve been to West Virginia, Tennessee, North Carolina, and Pennsylvania), or Mammoth Cave.

Restaurants

I wouldn’t write home about the donuts or the barbecue, but Louisville has pretty good restaurants. We ate at the hotel one night, at Proof on Main, and the next night at a very good interior Mexican food restaurant, Maya Cafe. The last night we ate at at Everyday Kitchen, and to my eye its menu had a lot of East European food. East European food is to me mighty exotic, it’s just not something I’ve seen very much of, and at the same time it’s completely comprehensible, like Mom’s home cooking. My brushes with East European food in Milwaukee and Chicago and Louisville may be one of the things I like most about the Old Northwest.

I had stuffed cabbage.

The most remarkable thing about the restaurants in Louisville was the amount of whiskey on the menus. There were moderately priced whiskeys by the barrel, and expensive whiskeys that made fly reels look cheap. There were pages of whiskeys, regiments of whiskeys, whiskeys waiting in the wings just to get on stage. I didn’t know there were that many whiskeys in the world.

Mind, that picture only starts with the letter “O”. There were 13 letters of the alphabet preceding. Those aren’t bottle prices either.

Route

Going out we drove from Houston to Nashville; coming home we left early and drove straight through. There are more eighteen-wheelers on the road from Little Rock to Memphis than there are distilleries in Kentucky. If I ever drive to Kentucky again, I’ll drive through Louisiana.

Music

What a lot of music there is from Kentucky. There’s not a lot of jazz; Les McCann and, if you stretch it as to the jazz, Rosemary Clooney. There is a lot of bluegrass and country. Besides Loretta Lynn, there’s the Monroe Brothers, Tom T. Hall, Crystal Gayle, The Judds, Rickey Skaggs, Merle Travis, and Dwight Yoakum. “Don’t It Make My Brown Eyes Blue” isn’t nearly as bad as I remember it.

I looked forward to Sturgill Simpson and My Morning Jacket coming up on the playlist. Simpson put out Metamodern Sounds in Country Music in 2014, and a A Sailor’s Guide to Earth in 2016, and both albums astonish me, as much for the lyrics as the music. “Turtles all the Way Down” is a country song about Jesus, or Buddha, or LSD, or the turtle that holds up the world. Or something.

My Morning Jacket always satisfies.

Main Street, Paradise Kentucky, 1898. From Wikipedia.

And then there are the 37 versions of John Prine’s “Paradise.” John Fogarty, Johnny Cash, John Prine, Tom T. Hall, Dwight Yoakum, Jackie DeShannon, John Denver, Roy Acuff, Tim O’Brien . . . And Sturgill Simpson. Everybody’s recorded “Paradise.” I think if you are from Kentucky, you have to record a cover of “Paradise” before you’re allowed to open a distillery.

Guitar

I took the Kohno, and played a good bit. I’ve been working on the first movement of Bach’s 4th Lute Suite, but I can never get much past page 2, and it’s a lot longer than two pages. I’ve also been working on songs I once knew but don’t know any more–an arrangement of Summertime, some Tarrega, some Sanz, and a transcription of Albeniz’s Cadiz. That’s gone a lot better.

Hawaii Packing List, Part Elua

We went to Hawaii two years ago and didn’t catch a fish, so this is my second Hawaiian packing list. This trip was different enough that it’s worth the effort.

Gear

We took 9 weight rods again, with big Orvis and Tibor saltwater reels. This is heavy-weight stuff–we normally use 8 weights (which are considered heavy); this was heavier, but when the first bonefish ran I was scared that the 9-weights were too light. They weren’t, but I wouldn’t have minded a 10-weight.

In addition to the bonefish, I saw three giant trevally, and with only the 9-weight, I was kinda glad they ignored my flies. The 9-weight really isn’t enough for giant trevally.

Our flies were weighted–they weren’t just a hook and fur and feathers. They had barbell eyes so that the flies sank as soon as they hit the water. Barbell eyes are also a spur to better casting, because they hurt more when you blow it and the fly whacks the back of the head. The first day I fished with weighted EP mantis shrimp. I lost both heavy shrimp flies I’d brought, and the second day fished with a similar fly donated by our guide, Joe Kalima.

EP mantis shrimp

Joe wanted us to use 30 pound leaders to tie the fly to the line, which is crazy heavy, but maybe he wanted the heavy line because it’s harder to lose in the coral. Because of leader breaks I lost enough fish the first day that the second I used one of his. On Kauai we went back to 16 pounds.

The Molokai Ferry

There used to be an inter-island ferry from Maui to Moloka’i, but it seems to have shut down in 2016 (though there’s still a website). Now you have to take a plane or drive, and driving between islands really doesn’t work that well.

There’s something about flying on a pond hopper that makes every adventure better, even if the flight itself isn’t really adventurous. It sure feels adventurous when I walk across the tarmac to that bit of a plane. When I get on a pond hopper, I know I’m heading someplace out of my ken.

Traveling between three islands we took a lot of planes, so I likely raised the earth’s temperature a couple of degrees. Sorry. We flew to Honolulu on Delta, took the Mokulele Airlines flight to Moloka’i the next morning, flew back from Moloka’i to Honolulu a few days later, and then immediately flew Southwest from Honolulu to Kaua’i. We flew back to Houston direct from Kaua’i. The only flight we couldn’t cover with mileage points was the flight on Mokulele Airlines, and it wasn’t cheap, maybe $300 by the time we paid added luggage fees. That’s about $10 per minute for the flight.

There was no in-flight meal, but there was a black lab puppy.

Hotels

We spent the first night in Honolulu at the Equus Hotel. On our trip to Honolulu two years ago, we rented an AirBnB for three nights, and spent our last night in a dank dark motel near the airport. I wouldn’t stay near the airport again. The Equus is a bit off of the Waikiki strip, and it’s a $40 cab ride from the airport, but it’s also well priced (for Honolulu). Our room was small and the hotel needs another elevator, but I’d stay there again.

Because we had to fly out early the next morning, we paid the extra $15 per person for the hotel breakfast. I assumed it would be the typical hotel buffet, but instead the Hungarian barmaid at the Paniolo Grill made us bagels and lox. It was lovely, and she gave us her recipe for pickled red onions.

On Molokai, we stayed at the Hotel Molokai. There wasn’t any real choice for hotels on the island, and I’d guess the Hotel Molokai was built in the 60s. The rooms are scattered about the grounds in separate clusters, which gives it a nice open feel. The rooms and grounds are well-maintained, the staff was helpful, and the island’s best restaurant and bar are at the hotel. Internet service kinda sucks, but every room comes with its own rooster.

North Kauai seems to specialize in family condo vacations near a golf course. We stayed at The Westin Princeville Ocean Resort Villas. It was fine, and on a beautiful part of the island, but there were no chickens.

Food

On Kauai, we went to a luau. Tourist luaus are commoditized Hawaiian traditions, but how do you go to Hawaii without sooner or later going to a luau? The mai tais were good, there was a pineapple appetizer, and the poi was surprisingly purple. The music and dancing reminded me of a Ballet Folklorico, or that evening in Spain when we went to see flamenco, or in Lisbon when we went to see fado. The performers took pains to educate the audience, and there was a Tahitian fire dancer. I think it’s Hawaiian law that you can’t have a luau without a Tahitian fire dancer.

On Moloka’i, we ate dinner every night at Hiro’s Ohani Grill at the Hotel Moloka’i. Just like the hotel choices, there aren’t a lot of restaurant choices on Molokai, and the grill had excellent poke, the bar had martinis, and the tables were on a veranda that overlooked the Pacific. There were table cloths. The last night the sun was setting and I thought, “they’ve done a really good job copying a tropical bar,” and then realized it was a tropical bar.

There is a national park on Moloka’i, Kalaupapa National Historical Park. Beginning in the 1860s, about 8,000 Hawaiian lepers were exiled to the Kalaupapa Peninsula. It was an active leper colony until sulfa drugs were available to control leprosy, and there’s still a remnant resident population. Ironically, the peninsula is currently closed to tourists because of Covid. There’s an overlook though, on the cliffs a couple of thousand feet above the peninsula, and on the walk back we talked to a lovely woman who had retired to Molokai from Eugene, Oregon. She was originally from Lake Charles, Louisiana, about 90 miles from Houston. I told her that I had tried the saimin–the Hawaiian version of Japanese noodle soup–at the Ohani Grill, and that it was bland and that I had to ask for hot sauce. The Louisianan in her came to the fore and she said that a lot of Hawaiian food needs hot sauce. She was pretty much right.

When we were planning, I found an internet post on where to eat in Hawaii, and on Kaua’i we followed its recommendations. We ate at Hamura Saimin, which is a working folks soup joint in a warehouse district. It was better saimin than on Moloka’i, and there was sriracha on the table. There weren’t any table cloths though.

The luau was at the Tahiti Nui, a restaurant and bar in Princeville near where we stayed at the Westin Villas. Our first night on Kauai we also ate there, when there was no luau and it was only open as a restaurant. Like the Ohani Grill on Moloka’i, the Tahiti Nui did a good job mimicking a tropical bar by being one, and to celebrate its authenticity we drank mai tais. They didn’t have little umbrellas.

Where We Didn’t Go.

We fished on Moloka’i’s coral reef, but didn’t snorkle. We never saw Moloka’i’s southern beaches, and we couldn’t go to the the Kalaupapa Peninsula. I would like to, and I’d like to visit the Catholic chapel dedicated to Saint Damien of Moloka’i. Damien was a saint in anybody’s book, and I should have stopped at the chapel, at least to pay my respects.

We didn’t visit Mau’i, or the Big Island, or The Four Seasons Resort on Lana’i (though at $1500 a night, it’s out of my price range).

We haven’t eaten at Helena’s or Ahi Assassin in Honolulu. I keep missing Helena’s, and I suspect it’s a real failure on my part.

Covid

You can’t travel to Hawaii without parsing through its Covid regulations. Unless you plan on a 14-day quarantine, you can’t enter the state from the mainland without either proof of vaccination or a negative test within two days of entry. Those are the liberalized rules as of November. Before November there was no entry, vaccinated or unvaccinated, without a negative test. Before testing, the state effectively shut down outside travel. Testing requirements are still in effect for foreign travelers, but those are federal rules for foreign entry to any state.

You can’t enter buildings in Hawaii without a mask, and most people are wearing masks on the street. The grocery store on Moloka’i would only allow one family member inside at a time. Kris guessed that was enforceable because everyone knows everyone else’s family on Moloka’i.

Meanwhile every place was packed. The plane from Houston to LA was packed. The LA airport was packed. The plane from LA to Honolulu was packed. The plane from Honolulu to Molokai was packed (though since it only carried 12 of us, that’s relative). Restaurants were packed. Given the spike in infections, it was nuts. Everybody should have cleared out for us.

You can’t travel in crowds without exposure, and I’m sure we were exposed. We tested negative before we left and we tested negative when we got home. We’re vaccinated, boosted, and we wore masks, but we were lucky.

Once you’re in Hawaii, you can fly from island to island without additional documentation. Returning to the mainland doesn’t require documentation either.

Music

A lot of stuff in Hawaii has to be imported: most of the food, building materials, cars, gasoline, tourists . . . For that matter most residents are imported.

Music is an exception, and Hawaiian music is everywhere, all the time. When you unload from your arrival plane, there’s Hawaiian music playing in the airport. When you get to your departure gate there’s Hawaiian music playing in the airport. At restaurants there will be Hawaiian musicians, really good musicians. When we got into our rental car in Moloka’i, the radio was tuned to a Hawaiian music station.

Michael Keale, Tahiti Nui

If you think about what Hawaiians gave us musically, the steel-stringed guitar, the ukulele, the slack-key guitar . . . If you think about their lovely vocals and gracious melodies . . . Ok, ok, it can get cloying after a while, but then I find Jimi Hendrix cloying. I’m fairly easily cloyed.

But any guitarist has to be fascinated by Hawaiian slack-key guitar tunings. Ry Cooder is the most famous mainland student of slack-key, and Gabby Pahinui and Keola Beamer are famous Hawaiian players. Meanwhile I found this YouTube recording of Chet Atkins playing slack-key, and making it sound a good bit like Delta Country Blues, which is a pretty peculiar bit of cultural fusion. It’s great stuff, but it would have been perfect if he’d been playing a sitar.

Guitar

I took my old Kohno, and sat on the veranda at the Hotel Molokai and played to the chickens. I don’t remember what I played, but it wasn’t Hawaiian. The chickens didn’t seem to mind.

William Brigham photographer, 1889, Saint Damian of Moloka’i, shortly before his death.