Gear
We took eight-weight 9 foot rods, floating lines, and seven foot 16 pound leaders. We took redfish flies, which are generally any fly that looks even vaguely like a shrimp, crab, or small fish. If redfish are eating, they will eat anything you throw at them, including feathers, fur, polyester, and baseballs. Tan is my preferred color, unless my preferred color is chartreuse, purple, red, or pink, or if I’m feeling natural either olive or white. As long as they’re eating, redfish are a happy fish, and almost any color works.
What could be easier?
So of course we had a problem with our reels. I have used the same reels in saltwater for 30 years: Tibors. They’re beautiful things, handmade in Florida, and they come in different sizes for different fish, the 8-9 Everglades for bonefish and redfish, the 9-10 Riptide for permit and jacks, the bigger 11-12 Gulfstream for tarpon, and finally the massive Pacifica for things like sailfish and marlin, whatever those might be. Actually, I own some other 11-12 reels but I don’t own a Gulfstream, and I don’t need anything as big as a Pacifica. I own several Everglades and a couple of Riptides, but I lust after an orange Gulfstream. Not that I’d ever mention it because then Kris might feel obligated to remember that on my birthday or Christmas.
Or Father’s Day. Father’s Day is coming up.
Tibors are bombproof, easy to work on in the field, and for any given size their parts are interchangeable. They take almost no maintenance, and their design hasn’t changed significantly in the 30 years I’ve used them. Tibor engraves your name on a nameplate for the reel, and there is something so satisfying, so validating when one screws on that identifying nameplate. It’s there for everybody to see: this guy Neil Thomas ain’t fooling around. He owns a Tibor, so he must be special!
I love them. Mine have my name on them. I’m special.
Tibor makes other reels, the Signature, the Backcountry, the Billy Pate, but only the Tibor is just the Tibor. Tibors now come in fancy colors, though as I recall the originals were either gold or black. My oldest is gold, though the gold has faded and it’s pretty beat up. It’s the reel I used in South Carolina, and right now it’s in our skiff down the coast at Port O’Connor. It’s a well-made thing.
Kris doesn’t like them, and that was our problem. It’s not that they don’t work, but she says they’re heavy, and bulky, and to her they just don’t feel right. I keep trying to slip them in on her, hoping she’ll grow as fond of them as I am, because then I’d have an excuse to buy more. When we were packing for Charleston her usual eight-weight reel had a seven-weight line on it, so instead of switching the line I packed one of my Everglades. She complained the whole time we fished.
It was too heavy. It didn’t feel right on her rod. Where was her reel?
So now she has a new reel, a Hardy that she picked out at Gordy & Sons. It was a Christmas present, and by me a capitulation. It’s lightweight, probably flawless, probably made in Korea. It’s certainly very nice. It’s not a Tibor.
Hotels
Visiting the King Street shopping district in Charleston is a Garden & Gun ad incarnate. There’s jewelry and ball gowns, beachwear and books. I’m certain there are Luis Vuitton purses, and purses made at a boutique South Carolina saddlery shop, and purses made of woven sea grass. There’s crockery and cookware and antiques. I always wondered why Charleston was such a vacation magnet, and now I know. People go to Charleston to shop.
Where once slaves were auctioned, now there are bibelots, and bibelots don’t come with the same moral downside. I bought a spool of 20 lb. saltwater tippet at the Orvis store, so I did my part. My shopping was completely successful.
There are also hotels. You can spend as much as you’d like on a King Street hotel, though probably not as little. We actually stayed outside of the shopping district several miles inland, in an area of town that is gentrifying from the possibly dangerous to the marginal. I’m fond of mid-century modern motor inns, and we found a restored one in Charleston. In Savannah, just down the coast, we had stayed at a great restored motor inn, but the Starlight Motor Inn in Charleston was not as finely finished as the Thunderbird Inn in Savannah, nor was it as central. It was very good though, with small but well-appointed rooms. The room rates were immensely reasonable, and parking was free. I’d stay there again in a heartbeat.
The strange thing about the Starlight, I guess the ultramodern thing about the Starlight, was that we never saw any live employees. Check-in was by internet, which included a room code but no card or key. There was only a keypad for room entry. Room-cleaning was by request at an extra cost, which seemed fair since the room rate was so low. There was a storage unit with extra towels and coffee and whatnot in a cabinet in the stairwell under our room, and whether or not we were supposed to we helped ourselves to what we needed. There is a bar at the Starlight, but it’s open Thursday to Sunday and we were there Monday to Wednesday. I’m certain we could have roused someone if we’d needed, but there was never a need.
There was a pickle ball court painted onto the parking lot, and a moveable net, but there wasn’t a pool. Kris didn’t tip me when I carried our bags to the room.
Donuts
Annie’s Hot Donuts, in Mount Pleasant, was outside of Charleston proper but on the way to the ferry for Fort Sumter. At Annie’s, donuts are made when ordered, with fat fry-dom on demand and toppings from an ice cream sundae buffet of choices. It is such a miracle, why have I never seen one of these before? Why isn’t there one in Houston? Granted, in the morning, at the best Houston Shipley’s, the glazed donuts are hot when you get them, and a hot Shipley’s glazed is donut perfection, but that’s turnover and time of day, not the business plan. Every donut at Annie’s is hot when delivered. Miraculous.
There is an online list from Eater of Charleston’s essential donuts, but it unforgivably doesn’t include Annie’s. On the morning we fished–we fished one morning and then the next afternoon–we were on the water before any of the Eater-listed donut shops opened. We tracked down where Glazed Gourmet Donuts on King Street had been, but it’s now permanently closed. Joey Bag of Donuts was out of our way, though it was certainly one of the best names ever. On the day we fished in the afternoon, we had breakfast at The Junction, which was on the list, but it wasn’t donut day at The Junction so we had to settle for biscuits. I’ll grant that they were excellent biscuits.
The Junction was interesting not just for the biscuits, but because it was in Park Circle, even further west of the King Street shopping district than our motel. Park Circle seems to be the Bohemian, as opposed to the Garden & Gun, side of town, where because of cheap rents you can find a micro-brewery, or a bike shop, or a vinyl record store. It looked fun to explore, and I recall the biscuits fondly.
Restaurants
There are as many restaurants in Charleston as there are guitar pickers in Nashville, and in addition to the redfish that I didn’t catch, we left a bunch of restaurants untested. For our two lunches we had oysters near King Street. If we had had three days for lunch, we would have had oysters three days. We didn’t eat near enough oysters.
The two places we ate lunch, 167 Oyster Bar and Amen Street Fish and Raw Bar, weren’t joints. They were upscale, focused on seafood generally, and we paired our oysters with other more substantial things. At Amen Street in addition to oysters we had the shrimp corny dogs, she crab soup, and at 167 for some reason a lobster roll. I don’t think lobster rolls are native to South Carolina, but sometimes I give over to my baser desires.
There are authentically joint-like oyster joints in Charleston, but we didn’t make it to any and its a shame. Next time.
The first night in town we ate at Rodney Scott’s, which is whole-hog South Carolina Barbecue. There was this strange disconnect when people asked where we ate and we said barbecue, because they immediately assumed we’d eaten at a newer place, the Central Texas-style Lewis Barbecue Charleston. Why, I ask you, would we go from Texas to South Carolina to eat Hill Country brisket? I’m sure it’s excellent brisket, and I’m vaguely curious if it’s any good, but the world of barbecue is large, and for us whole hog is a rare treat. Brisket is not. Even great brisket is not.
At Rodney Scott’s, who orders both the hush puppies and the cornbread? Who doesn’t?
Monday night we ate at Hannibal’s Kitchen, which is traditional Charleston Gullah Geechee and which sports authentic 1980s Black Liberation decor. it was a great place, and we both ate the crab and rice. Both Rodney Scott’s and Hannibal’s are places I’d go back to. If Hannibal’s were in my neighborhood I’d go back way too often.
Tuesday, our last dinner, we went to Fig. I’m always so proud of myself when I get a reservation at a place like Fig, because it means that I’ve planned far enough ahead to do something hard. Fig might be the best known of all of Charleston’s high-toned restaurants, and it’s not easy to nab a reservation. Did I have to make the reservation 60 days ahead? 120? On the day our oldest child was born? I can’t remember, but whenever, I did it.
I read in some review that Fig is the place locals go for special occasions: Graduations, anniversaries, Tuesday nights . . . The decor is a bit dated, but it was presumably always meant to be clubby. The menu is American modern with a South Carolinian bent. It’s pricey.
After all that build-up though for some reason the waitstaff couldn’t get my orders right. My drink was wrong and had to go back to the bar. My entree was wrong and had to go back to the kitchen. I am apparently getting crankier with old age, because it bugged me, when usually I would have written it off to the sorts of normal human foibles at which I excel. Then I realized the staff was just dazzled by Kris’s beauty and couldn’t pay attention to me, so it was ok. After all, who wouldn’t be so dazzled?
Just as a reminder, that’s the orange Tibor Gulfstream. With blue backing.
Fig also had oysters, and we ate some.
Fort Sumter
We’ve been to a lot of Civil War battlefields, Shiloh, Gettysburg, Vicksburg, Bull Run, the Edmund Pettus Bridge, and Central High School in Little Rock. Fort Sumter may have been for me the most emotionally charged of all of them. Perched out in Charleston Harbor, in the midst of all that historic Southern outrage, it held the deepest reservoir of failed possibilities. Bombarding Fort Sumter was the path we chose, and we’re still paying.
We timed our visit right because Erik Larson’s The Demon of Unrest was published in 2024, and it is a great introduction to both the antebellum mindset and the particulars of Fort Sumter. It is also a timely book and pilgrimage to ponder the current state of affairs in these late days. It would have been a shame to miss either the book or the pilgrimage.
Playlist
Dizzie Gillespie was born and raised in Cheraw, South Carolina, then moved to Philadelphia when he was 18, and then moved on to New York. He also once stabbed Cab Calloway in the leg.
Moving to Philadelphia was a right of passage for South Carolina African Americans, who repatriated their popular music to South Carolina as Beach Music. Stay (Just a Little Bit Longer), Under the Boardwalk, Sixty Minute Man, My Girl, Such a Night . . . Motown was Detroit, Stax was Memphis, but Beach Music had its own sound and its own audience, and the audience was at least partially White and in South Carolina, busily Shagging.
Not that. That wasn’t invented until later. The Shag is the state dance of South Carolina.
Gillespie didn’t play Beach Music, but after the stabbing he was fired by Cab Calloway. It apparently wasn’t much as stabbings go, and he tried to apologize, but Calloway held a grudge, as bossmen will.
Gottlieb, William P., Portrait of Dizzy Gillespie, New York, NY, 1947, public domain.
Gillespie went on to become the first great trumpet player of BeBop, and influenced a generation of trumpeters that included Miles Davis, Fats Navarro, and Clifford Brown. Gillespie wasn’t the only great jazz musician from South Carolina. Hank Garland, the great jazz/country/rock and roll guitarist, was from Cowpens. Freddie Green, the greater jazz guitarist, was from Charleston. The great country blues guitarist, Reverend Gary Davis, was from Laurens.
Popular bands from South Carolina tend to have an edgy new-wave feel. The Country band, Shovels and Rope, is from Charleston, Ben Bridwell of Band of Horses is from Irmo, and Iron and Wine is from Chapin.
There’s enough diversity among good musicians from South Carolina to make for a fine playlist. Even The Marshall Tucker Band is perfectly ok in small doses. Did you know that there was never anybody in the band named Marshall Tucker? He was a blind piano tuner from Spartanburg.
Freddie Green, circa 1938, Library of Congress.
John Phillips of the Mamas and the Papas was born on Parris Island, though he grew up in Virginia. I figured it was a close enough connection to include his Monday, Monday and Words of Love.
When Dizzie Gillespie appeared before his World War II draft board, he said, and I quote, “in the United States whose foot has been in my ass?”, and questioned whether they really wanted to give him a gun. He was classified 4-F. It’s good to know one’s limits. The funny thing is that notwithstanding the shooting threat and the stabbing, Gillespie is generally considered to have been not only a great jazz trumpeter (maybe along with Louis Armstrong the very best), but also a good-natured guy.
Guitar
I’m writing this so long after we went to South Carolina that I can’t remember if I took a guitar, or, if I did, whether I played it. Too late now to figure it out.