I shot a fish in Reno

From The Great Train Robbery, 1903, directed by Edwin S. Porter.

This is a blog post with footnotes. [1]

Reno Fly Shop has a podcast, and it’s good. It’s an interview format with some national fly fishing personalities and some Nevada or California locals with local knowledge. The episodes are each about an hour, which is just right for my morning stumble around Rice. The host, the shop owner Jim Litchfield, is a generous and engaged interviewer, but the podcast always gets around to Pyramid Lake and the Truckee River. That can be a bit of a stretch for some of the national fly fishing personalities, so the locals have a decided advantage.

A recent podcast was with Meredith McCord, who is not local to Reno, but like me is from Houston. She spoke at Texas Fly Fishers last year. I don’t know her, but from the audience Ms. McCord seems lively and personable, with a Southern Girl’s penchant for girly casual wear and plenty of well-coiffed hair. She also has a penchant for IGFA records.

The IGFA is the International Game Fish Association, which apparently exists to keep lists of world records and establish rules for catching big fish. Like fly fishing competitions, it has little to do with the rest of us.

On the podcast Ms. McCord was talking about her IGFA records–she holds about 9,000. [2] The talk on the podcast sooner or later got around to IGFA records for cutthroat trout, all of which are from Pyramid Lake. The IGFA doesn’t differentiate among subspecies of cutthroat trout, a cutthroat is a cutthroat is a cutthroat, so a westslope cutthroat from a tiny stream in Montana is in the same swimsuit competition as a massive Lahontan, and it’s no contest. On the other hand there are male and female records, not differentiated by the gender of the fish but by the gender of the angler. I’m pretty sure the records are kept separate so that a boy won’t need to feel bad about being beat up by a girl.

Following are the women’s records for cutthroat:

IGFA Women’s Fly Fishing Records for Cutthroat

If reports are right and ten- to 20-pound Lahontan cutthroat trout are reasonably common at Pyramid Lake, then these records are ready to be broken. [3] Even I could probably land a trout a bit bigger than two pounds on 20 pound tippet. Of course I’d have to change my self-identification, and nobody makes that kind of decision just to catch a fish.

Looking at the list, the second column is the problem. The second column represents a recent rule change that requires a minimum weight for record fish based on the weight of the tippet. The change was adopted after some records were already set, which is why some of the cells are blank: one way or another those records met the new rule requirement. The rule change might attest to the sportsmanship of IGFA rulemakers, but I suspect it probably goes more to the credibility of a 1 lb 12 oz fish being the record cutthroat for 16 pound tippet.

The change requires that for a fish to establish a record, it must weigh at least half of the weight class of the tippet. [4] You don’t put a bantam weight in the ring with a heavyweight and still call things sporting. Of course there’s a four pound tippet class for tarpon, and catching a 100 pound tarpon on a four pound tippet seems more like needless cruelty than sport, so, like I said, credibility is a better explanation than sportsmanship.

Because many of the women’s cutthroat records are oddly low, Pyramid Lake is prime for new records, particularly for women. Listening to Meredith McCord in the podcast I started wondering if Kris would like a record of her own.

The tackle side of establishing records is pretty straightforward. You can fish with any kind of rod as long as it is at least six feet long and is generally recognized as a fly rod. An Orvis Practicaster probably doesn’t cut it, but anything else sold as a fly rod is probably fine. Same goes for reels. [5] Your line can be any kind of fly line and backing. Really the tackle rule comes down to this: if you’re using tackle that’s generally recognized as a fly rod, reel, and line, then from (a) inside the knot attaching your leader to the tippet to (b) inside the knot attaching your tippet to your hook, your class tippet, the one that tests 2 or 4 or 16 or 20 pounds, has to be at least 15 inches long. That’s pretty much it: at least 15 inches inside the knots. It can be longer, but it can’t be shorter. [6]

Now once you sort out the whole gear thing, the conduct thing [7], and the species identification thing [8], you get to the real problems: the weight and length thing, and the fly thing.

Notwithstanding that I’ve got this whole list going on of fish-I-caught, I’m not a particularly ambitious angler. I want to catch a fish in Kansas, but in Kansas I’d be perfectly happy if it was a six-ounce sunfish. I also understand that from the fish’s perspective fishing is a pretty cruel thing to do. I’m not going to stop fishing, but all in all I want to play a fish quick and get it back in the water so that it can go on about its business of killing and eating stuff and fish sex. I’d kill a fish and eat it, but I don’t really like to clean fish. I’d just as soon put the fish back.

But when I put them back I want them to survive, and our notions of how to handle fish for fish survival are evolving. There are the great guidelines from KeepEmWet Fishing, most of which involve keeping the fish wet, using a net, using barbless hooks, and reducing handling.

File:Hemingway and Marlins.jpg
Ernest Hemingway and family with four marlins, 1935, Bimini, Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston, Massachusetts, Public Domain.

I’ve assumed that IGFA records were all established with dead fish, and that’s not right. While there’s nothing I see in the IGFA rules that prohibits killing fish, IGFA is a partner of KeepEmWet, and has adopted its own rules, guidelines really, for releasing fish. [9] However good the angler, and however good the angler’s intentions, [10] establishing a record requires handling, and there’s a tension between any handling and keeping a fish alive. The IGFA has established procedures for handling and weighing fish aimed at release, and the pictures in my head of dangling dead fish are wrong, or at least unnecessary to establish a record. [11] Still, all in all, all of this folderol seems a lot of trouble, and I’d just as soon not bother. If sometime Kris wants a record, I’ll surely help, but I don’t think I’ll mention it to her. Don’t you mention it to her either.

In addition to the weight thing, there’s the fly thing. Saltwater anglers hate the 12 inch bite tippet regulation [12], which according to rumor is too short to effectively deal with tarpon. For freshwater anglers, the really dumb part of the IGFA rules is a prohibition against droppers. [13] Only single flies are allowed, one supposes to discourage snagging, but really? It’s not like fishing droppers isn’t one of those things done since Dame Juliana Berners, and everybody fishes at least tandem flies when they nymph. The last known person to fish a single nymph was in 2006, and that was only because he’d lost his dropper in a tree. From what I can tell all fishing in Pyramid Lake involves dropper-rigged nymph fishing or streamers, and the practice is to fish tandem streamers. The IGFA rule is inconsistent with how anybody fishes, and I’m not setting any records until the rule is changed. Hah! Showed them. Let them defend their vaunted credibility now.

The Booke of haukynge, huntyng and fysshyng, with all necessary properties and medicines that are to be kept, Tottel, 1561, http://www.luminarium.org/renascence-editions/berners/berners.html

[1] Lawyers love footnotes of all things. Some of the best stuff is always in the footnotes. I wish I could figure out how the text notation could jump to the footnote, and vice versa, but I can’t, so there you are. If you want to read the footnotes you’ll just have to do it manually. Sorry.

[2] Ms. McCord holds a lot of records, but I made up the number 9000. It just sounded good.

[3] IGFA measures things by kilograms, but I skipped straight to the stateside pound translation. If you want to get back to the IGFA designation a kilogram equals 2.2046 pounds.

[4] If you’re paying close attention, this is probably confusing because the chart gives the minimum weight for 16 pound tippet at 8 pounds, 14 ounces. Even by my low math standards that is more than half of the weight of the 16 pound tippet class. That’s because the IGFA doesn’t use good ol’ American tippet, but some kind of European stuff measured at 8 kilograms. The 16 pounds is an approximation of eight kilograms. Eight kilograms weighs more than 16 pounds. Who knew?

[5] The exact language of the reel rule is as follows: “The reel must be designed expressly for fly fishing. There are no restrictions on gear ratio or type of drag employed except where the angler would gain an unfair advantage. Electric or electronically operated reels are prohibited.” I guess that you couldn’t use a Tenkara rod because the reel for the rod isn’t expressly designed for fly fishing. Maybe someone could argue that the absence of the reel was expressly designed for fly fishing, and that counts for reel design. This is a shame, since I reckon that all of the saltwater Tenkara anglers are out there right now trying to beat the record for sailfish.

[6] At this point you should be asking yourself how the heck do I know that my leader actually tests at that weight? There are pre-tested tippet spools you can buy from companies like Courtland, which should provide consistent break points over the length of the line. This differs from how most of us buy tippet, which actually has less to do with the break strength than the tippet diameter. We don’t really care if our .015 diameter tippet measures a bit more than 8 lbs over its length. Record setters do, and you have to send your leader and tippet in for testing with your record application. You’d think these IGFA people think that fishers are all liars, or at least poor judges of their catch.

[7] This is gross over-simplification, but the conduct rules pretty much come down to catch the fish as you normally would, don’t actually shoot it, and except for netting or gaffing in the final stage, don’t let anybody help you land the fish.

[8] Take lots of pictures of the whole fish. Take pictures of the fish from every conceivable angle. If there’s going to be any doubt of the fish’s species, The IGFA recommends you take the fish to your nearest ichthyologist for identification. I kid you not. A photo has to show the full length of the fish. A photo has to show the rod and reel used to the catch the fish. I think a photo has to show the scale used to weigh the fish, and I think I’d send in a photo of the scale in the very act of weighing the fish. Scales are notorious liars, as anybody with a bathroom scale knows.

[9] One supposes best practices for keeping fish alive doesn’t include taking the fish to the nearest certified scale. The scale certification rules confuse me, but I gather that the best scales are spring scales—not digital as one would expect—and that Boga grips are considered good scales, but not good fish handling devices if you’re using them to hang fish up by the lips. Lip hanging is both hard on the fish’s jaw and on their internal organs, which will come as a shock to us largemouth bass anglers. IGFA will pre-certify your scale for a charge and a membership fee, or will certify the scale after the fact. Then of course you run the risk of having used a bad scale, plus you still have to pay the membership fee.

[10] Now if I were a particularly devious sort of record chaser, and I’d caught a record fish, then I might conclude that if I release a fish and it lives long and prospers, then somebody could break my hard won record next year with the same fish. I don’t know how the minds of record chasers work, so maybe none are that sort of devious.

[11] Apparently the best way to weigh a fish is in a cradle or a net, so you have to establish the weight of the sling or net and subtract it. I’ve got no idea what the IGFA requires to establish the weight of the sling or net.

[12] In addition to the class tippet rule there is also a special rule for bite tippet, which is important for fish like tarpon. That’s a whole other discussion. Twelve inches.

[13] If you’ve read down to this footnote, and you don’t know what a dropper is, then I’m a more engaging writer than I thought I was, or you’re one of my children and you’re humoring me. If you think about fly #1 tied to a fly line, and then fly #2 tied to a piece of line tied to the hook bend of fly #1, fly #2 is the dropper. The whole thing together is a dropper rig.

Mississippi Packing List

Redfish, Shearwater Pottery.

Gear

For a long weekend fishing Ocean Springs, we took a Loomis Asquith 7 wt with a Tibor Back Country Reel (which are now discontinued–why did they do that?), an Orvis HD3 9 wt with an Orvis Mirage reel, and an Orvis H2 flex tip with a Tibor Riptide reel. All the lines were floating. We fished both the 9 weight and the 10 weight quite a bit, and I caught the black drum on the 10 weight. That was probably for the best. We never touched the 7. I love that 7, but guides generally don’t. We fished with Richard Schmidt.

Over time I keep adding random bits and pieces to my leaders. Richard shortened them because he said it was hard for him to track flies on long leaders, and the fish weren’t leader shy. The leaders were probably about eight feet after he’d finished. They all ended with 16 pound tippet. Or 20. Something more than 6X.

What we didn’t take was bug nets. I’m covered with welts from gnat bites. The good folk from Magnolia Fly Fishers swear by Gnaughty Gnat from Marina Cottage Soap Company as a gnat deterrent. There should be signs on the state border. There’s a version of Gnaughty Gnat with an spf 50 sunblock. I ordered some. If I could go back in time I’d order some then.

Flies

Not gnats. We used Richard’s, and it was purple Clousers or Clouser derivatives all the time. Dark skies, dark flies. They were big flies, maybe a #2 on the 9 and a 1/0 on the 10. Not muskie big, but two to three inches long for the largest.

I’ve never fished purple flies before. Live and learn.

Where We Stayed

We stayed at Front Beach Cottages, which I found online in an article in Coastal Living. We were in the Key West Cabin, and there’s irony in that. It was a lovely little place, within walking distance of the cute shops and restaurants, and even closer to the Walter Anderson Museum. It’s a good place.

Talk

Everybody in Mississippi is up for a conversation, so bring your A-game. In a cute shop (Ocean Springs is chock-a-block with cute shops) I had a long conversation with the proprietor about what it was like to be gay in Mississippi, living in Houston, and living in San Francisco. At dinner the people at the table next to us struck up a conversation that went on and on, and after they left their replacements never missed a beat. I can’t even remember what we talked about, but this is not only a world class fishery it’s a world class place for conversations with strangers.

Shearwater Pottery

Shearwater Pottery is in a kind of raggedy compound in Ocean Springs. It was founded by Walter Anderson’s oldest brother, Peter, and all three brothers, Walter, Peter, and James, made their living out of the pottery. It’s now run by descendants, and according to locals some of them still tend towards the eccentric. Richard said a descendent did magnificent tattoos, so if you’re in the market it’s a consideration. Some of the pottery is incredibly beautiful, and I guess because of the influence of Sophie Newcomb Memorial College there is a lot of innovative and interesting decorative and functional pottery made in Mississippi. The Museum of Mississippi History/Mississippi Civil Rights Museum store in Jackson has a great selection of potters from around the state, including Shearwater.

Shearwater Pottery.

Books

I listened to a bunch of stuff, and read some. There is so much great literature out of Mississippi, it’s baffling. Here’s my booklist.

  • Faulkner, The Hamlet. I read The Hamlet 40 years ago and it’s amazing how much of it I remembered, especially the Texan with the spotted horses and Eula Varner. She’s the world’s most literary pinup girl. We listened to it driving back and forth from the Guadalupe River and to Ocean Springs. It’s Faulkner at his happiest, which for other writers is their most grim.
  • Faulkner, Absalom, Absalom!, I probably read this 40 years ago too, but I didn’t remember anything if I did. Faulkner originally wrote this as a children’s book, with illustrations, but then he drank a bottle of Four Roses or ten and things got muddled. Not really about the children’s book, but there probably was some Four Roses. It’s usually compared to James Joyce’s Ulysses, without the humor, and the plot is announced early so you always know what’s coming, but when Henry Sutpen finally kills Charles Bon to stop him from marrying Judith Sutpen it is still stunning, Maybe the most stunning murder ever written, even though you knew from chapter one that it was coming, and the reason: not that Charles is Judith’s half-brother but because he has black blood. It’s perfect Faulkner, perfect.
  • Shelby Foote, The Civil War: A Narrative: Volume 1. I know the Civil War reasonably well, and I thought I could listen to this. I had to re-listen to the same stuff so often that I’d probably recommend buying the book. Where Foote shines is in his anecdotes about the big personages: Lincoln and Davis, Lee and Jackson and the string of Union Generals. He doesn’t have much to say about the small folk, and his descriptions of battles were usually where my mind would wonder. I missed the entire Seven Days Campaign and had to go back to re-listen.
  • Mark Twain, Life on the Mississippi. I’d read it before, so I listened this time. Twain’s observations are so acute you have to trust them, even when he’s at his most outlandish.
  • Jesmyn Ward, Salvage the Bones. Ward has now won two National Book Awards, and her first was for this. She’s on every list, but I was dubious. I invested in a listen and it was stunningly good. Can an old Texas white guy identify with a pregnant black 15-year-old whose brother has a fighting pit bull and whose father is an alcoholic? I reckon. It’s riveting, and the description of Katrina is as gripping as Faulkner’s murder of Henry Bon. She claims Faulkner as one of her influences, and I think he’d be proud.
  • Thomas Merton, Lectures on William Faulkner. Merton did a series of lectures at the Abbey of Gethsemani on Faulkner and some other stuff shortly before his death in 1968. His description of Easter in The Sound and the Fury made me wish that we didn’t drive cars to church. These are great to listen to, and each lecture is about 15 minutes long. I didn’t re-read The Bear (though I had intended to), but I got Merton’s description which may have been better.
  • Eudora Welty, Why I Live at the PO. I read more stories by Welty than just the one, but it was that one that every Mississippian seems to mention. I read it, but after a few drinks in our little cabin in Ocean Springs we played a YouTube recording of Ms. Welty reading the story. It’s worth doing both, and Kris suspects every Mississippian mentions the story because listening to Ms. Welty was the high point of 10th grade English. The talkative store owner said his sister’s cat was named Stella-Rondo, which I vow to appropriate if I ever own another cat.
  • Mark Childress, One Mississippi. I read this when it was published, and started listening to it but never quite finished. Parts of it ring true, parts don’t, but what Childress does catch is the 1970s. That’s pretty much exactly how I remember it.
  • Greg Iles, Natchez Burning. This is the first of a trilogy, and it’s a pretty engaging road trip listen. By volume two it’s just a bit too outlandish, even for Mississippi. I think Kris listened to all three. I got bored.
  • Westley F. Busbee, Jr., Mississippi: A History. It’s a college textbook so it’s pretty dry, and only got to the Civil War. I’d like to read through Jim Crow and the Civil Rights movement, and maybe I’ll get there when we go back for Kris’s fish.
  • Elijah Ward, The Blues: A Very Short History. This is a personal beef of mine: If you’re going to produce an audio book about music, why not do it right and include snippets of the music you’re writing about? It seems like the best of all possible media. The book has a particularly good chapter on Jimmie Rodgers.
  • Richard Grant, Dispatches from Pluto. I love books like this, and it was apparently a New York Times bestseller when it was published. It’s a memoir of an English literati who moves to the Mississippi Delta with his then girlfriend, now wife. Grant is a careful and sympathetic observer, and he likes pretty much everybody and makes them likable, notwithstanding flaws. I’m guessing he’s a lot like Mississippi, but I wish he’d mentioned the gnats.

Donuts

Tatonut Donuts in Ocean Springs is the best. The donuts aren’t elaborate, but they’re still warm and if you eat in the shop you can get coffee in a real ceramic mug. Every donut shop should do this. We had a second breakfast at Phoenecia Gourmet, and that was pretty good too. On the road trip we also hit both a bakery and a donut shop in Lafayette, Louisiana, which may have more real bakeries per capita than anyplace in the world short of Paris. And I’ve yet to run across a donut shop in Paris.

The dozen oysters we ate at Charred in Ocean Springs before dinner were uniform and plump, as good of Gulf oysters as I’ve eaten, and Richard explained that they were farmed. At Vestige where we actually ate dinner the other diners were memorably talkative. Mary Mahoney’s Old French House in Biloxi feels like it’s 30 years past its prime, but the Chimneys in Gulfport is outstanding. That was the best sauced tripletail I’ve ever eaten.

Tripletail, The Chimneys, Gulfport.

Where We Didn’t Go

We still haven’t been to Oxford, and we haven’t been to a juke joint in the Delta. We haven’t caught a sunfish or a bass or a catfish in freshwater, and of course Kris didn’t catch a fish. Did I mention I caught a big fish? Let me show you a picture.

Music

There is so much great music out of Mississippi. Here’s a list of who was on our playlist, and I’ll only talk separately about stuff that was particularly interesting to me. Albert King, Mississippi John Hurt, Elvis Presley, Mississippi Fred McDowell, B.B. King, Robert Johnson, Faith Hill, North Mississippi All-Stars, Cedric Burnside, Jimmie Rodgers, Muddy Waters, Howlin’ Wolf, Cream. It could have had a dozen more.

  • Johnny Cash & June Carter, Jackson. This was very popular when it was released in 1967. Kris had never heard it. She’s a lot younger than me.
  • Cedric Burnside. This was a surprise. When you listen to Burnside you hear bands like the White Stripes and the Black Keys. He should be as well known.
  • Faith Hill, “This Kiss“. I originally downloaded a bunch of Faith Hill, then I got rid of everything but “This Kiss.” It’s an infectious song, but listening to Hill made me think less of country music than of a Broadway musical without the complexity of a Broadway musical plot. I couldn’t take it. She did record the theme song to Lilo and Stitch, which is one of the strangest movies ever.
  • North Mississippi All-Stars. This is a current band, and a band I’d go out of my way to see.
  • Jimmie Rodgers. I think I’d always confused Jimmie Rodgers with Governor Jimmie Davis from Louisiana, who may or may not have co-written “You Are My Sunshine“. I had never listened to Rodgers, who’s considered one of the foundations of country music, but is just as important as a white guy singing the blues. On “Blue Yodel No. 9” Louis Armstrong on trumpet and Lil Hardin Armstrong on piano accompany Rodgers on the blues and where the heck did that come from? With yodeling? Elijah Ward says that Howlin’ Wolf said that he howled because he couldn’t yodel like Rodgers, which if true may be the single wittiest thing anyone has ever said.
Jimmie Rodgers, source unknown.

Movies

O Brother Where Art Thou. There’s a cover of Jimmie Rodgers’ “I’m in the Jailhouse Now.”

Mississippi Burning. Mississippi had more than its share of Civil Rights Movement confrontation and violence. Richard Grant tells a story about pulling up to the collapsing store in Money, Mississippi, where the Emmett Till tragedy started. The tag line is basically that the folk of Money were exhausted: the murder of Emmett Till was the only thing they were known for. I suspect a lot of Mississippi, black and white, feels that way and wants to move on. I thought Mississippi Burning was no worse than it should be, but I suspect moving past that story line is the real story about modern Mississippi.

Guitar.

I took the Kohno, and sat in front of our cabin and played Bach. Another guest asked if I was hired or a guest which was flattering, but I should have told her I worked for tips.

Walter Anderson, Part of a Wall, Ocean Springs Community Center Mural, 1951.

N’o’io and Mantis Shrimp, January 11-12, 2019

I didn’t catch a Hawaiian bonefish, an o’io. I saw plenty, especially the first day we fished, and I cast pretty well too, sometimes right where I wanted. That was the problem. Where I wanted wasn’t where the casts needed to be. My casts would land nice and close and then the fish would explode, not onto the fly either. It couldn’t have been more violent if I’d thrown a rock. Or a grenade.

Sometimes I’ve watched fish mosey away from my flies, dismissive and haughty. Sometimes I’ve watched them turn quick and quiet and run for the wild. I don’t ever recall watching so many huge fish blow ups. They were big fish, and big sudden flushes of water, and zoom, gone.

This was not exactly a wilderness experience. The first day we fished flats just off the Honolulu airport runways, near the port at the edge of the city, so there was a line of military jets and passenger jets taking off from the shared runway. Every 15 minutes there would be another jet taking off. Sometimes in deeper water our guide, Jake Brooks, poled the boat and one of us fished the bow. In shallower water we waded. It didn’t matter. I mostly couldn’t see the fish. Jake could, but especially after the first day I couldn’t.

The first day though I did see fish, at least some of the time, plus that first day there were tailing fish and you could see both their dorsal fins and tails above the water. They didn’t stand still, and Jake had me move to intercept them at an angle. As often as not when the fish were moseying away Jake called me off. He said we’d never get close enough for a cast.

And when I did cast there were fish explosions. 

I’ve read about delicate presentations for trout, but for the most part they aren’t useful for bass or redfish, and you have to cast even closer for black drum. Most days you put the fly a foot or so away, hope the fly makes just enough noise to get the fish’s attention, and then things are dandy: one sees fish, one casts near fish, one catches fish. It’s a simple game. Not so Hawaiian bonefish. They won’t belong to any club that would let them in.


Emerton, J. H.; Smith, S. I.; Harger, O. illustrators, from Goode, George Brown, Fisheries and Fishery Industries of the United States: Section I, Natural History of Useful Aquatic Animals, 1884, Government Printing Office, Washington D.C., The University of Washington Freshwater and Marine Image Bank

And mantis shrimp flies are heavy, with big lead eyes to weigh them down. I thought the heavy lead eyes were overkill, but there’s a reason for the weight. Hawaiian mantis shrimp aren’t delicate swimmers. They don’t spurt through the water column or snap above the surface. Both creatures are crustaceans, but shrimp (and also crabs, crawfish, and lobsters) are of the order decapod. What Hawaiian flies mimic, mantis shrimp, are stomatopoda. These are mean critters, living angry, mean lives in holes along the sea bed. They don’t swim, they scuttle, and you fish the fly with slow short strips along the sand. You need that weight to get them down. They’re predators, and it’s thought that they have the most complicated eyes in the world. Each eye is on a separate stalk that can move independent of the other. Those are pearls that were their eyes.


Mantis Shrimp, Todd, H.L. illustrator, from Goode, George Brown, Fisheries and Fishery Industries of the United States: Section I, Natural History of Useful Aquatic Animals, 1884, Government Printing Office, Washington D.C., The University of Washington Freshwater and Marine Image Bank

They hunt. They have a pair of raptorial claws that depending on the species can be either sharp spears for slashing or blunt clubs for smashing. They can break aquarium glass. They can break through oyster shells. Sometimes they’re called thumb splitters, because they can break through you.

Mayer, Alfred Goldsborough, Sea-Shore Life : the Invertebrates of the New York Coast and the Adjacent Coast Region, 1905, A. S. Barnes & Company, New York, New York, The University of Washington Freshwater and Marine Image Bank

So my predisposition for close casts and indelicate casting wasn’t helped by the heavy flies. By the time I got my best shot I had figured out the problem with close casts. I watched two fine fish happily eating down a line of mangroves 30 feet away. I made a perfect cast, five feet in front of them, and watched two fish explosions. Plop. Boom. 

“Ten feet,” Jake said. “You can’t get closer than ten feet.” Then I reckon you let the fly sit and wait for the fish to come to you. I reckon that, but I wouldn’t know for certain. It could be that you lead them ten feet and still don’t catch them, but at least you don’t shake them up. Jake said they weren’t leader shy, they were just generally shy.

Jake had grown up fishing near Tampa, where I’ve also failed to catch fish. He’d grown up playing baseball, a catcher–it’s a city ordinance that everyone who grows up near Tampa has to play baseball–and was injured his freshman year at Tennessee. He’d come to Hawaii to make surfboards. Everybody we talked to in Hawaii was from someplace else.

This fellow drove:

Jake was great to fish with, though I did worry that he and Kris were going to start talking politics and we might have to walk home. Jake was pretty conservative, which in Hawaii is an endangered species. I did tell him that nobody in Texas wants a wall, which isn’t strictly true, but is probably more true than most non-Texans think. For my $30 billion, if 900 miles of South Texas scrub and Chihuahuan Desert aren’t going to keep people out, a bit of wall isn’t either. I’m holding out for RoboCop.

The last day we fished with Jake he said Hawaiian bonefish were the hardest fish he’d fished for, because even with the right casts the fish have to cooperate. The fish have to continue in the same general direction and not go for a frolic before they get there. Jake said other redfish anglers have my problem: we ain’t delicate. We ain’t prone to ten-foot leads. His were consoling words, meant to make me feel better. I felt rotten.

I had one other good shot at a fish on day two with Jake, a puffer.  I saw it, I cast to it, and I felt it take the fly.  I didn’t feel it take enough of the fly though. I jerked it out of its mouth, and even at the time I half wondered if I jerked it out on purpose. I didn’t want a puffer. I wanted a bonefish. I wanted an o’io.

To’au (Lutjanus fulvus), blacktail snapper.

Kris managed to catch fish on the two days we fished without Jake. That’s because she’s not too proud to blind cast, and walked along casting.  Kris loves to blind cast, and would blind cast in a rain puddle in a parking lot. They weren’t bonefish, sure, and they were pretty little things out of a Disney movie, but there you are: for me they were colorful fish but not the right color of fish. Still, she caught fish and I didn’t. I felt great for Kris. Really. She only has to go back to Hawaii if she wants to.

Weke peuk (Upeneus taeniopterus). Nightmare fish, bandtail goatfish. Consume with caution: the head may cause hallucinations. Really.

Another Interlude

On Thursday we leave for Hawaii, which for some odd and I suspect Southern reason I pronounce Huh-wah-yuh, which Siri can’t understand when I call up my playlist. We should spend today packing, which we won’t. What do we take? Some shorts, some shirts, some wading boots. The couple of 9 wt rods we gave each other for Christmas. A guitar. We fish with Captain Jesse Cheape of High Tide Fishing, a full day on Friday and a half-day on Saturday. After that we’ll sightsee. I think sightseeing is required by the nature of the thing.

It is the second farthest distance we’ll travel, closer than Alaska but further than Maine. I’ve actually practiced casting some, which is frustrating and unrewarding. I’m such a mediocre caster. I’ve tried to keep up my Hawaii reading, and have been through a couple of additional Hawaiian books–The Descendants by Kaui Hart Hemmings, which was very likable, and Dreams from My Father by Barrack Obama, which was about his birth in Kenya.

I guess my thoughts have moved on to Mississippi, which I’ve been working on for May, and Florida which I have to go to in February. I’m beginning to despise Florida and its uncatchable fish, but the Astros open there in April, and if we fail again in February (with a one-day fishing trip to the Keys) maybe we’ll make a fourth trip in April.

Hawaiian music hasn’t really grabbed me: it’s melodic, sweet, all major keys and thirds and fifths and pure tones. I’ve been cheating on Hawaii with Mississippi Blues. It shares a slide guitar, but not much else.

Frontispiece, Life on the Mississippi, The Baton Rouge, 1883, Gutenberg.org.

I also cheated on Hawaii with Mississippi books, and re-read Twain’s Life on the Mississippi. It is such an essential book. It’s only a bit more than a six-hour (read eight-hour) drive from here to Vicksburg, and we could visit the battlefield memorial and the National Cemetery over the long Martin Luther King weekend. Of course with the government shut-down nothing at the National Cemetery would be open. It’s too bad all presidents aren’t required to be born in Kenya.

Early on Twain also traveled to Hawaii (née the Sandwich Islands) and wrote a series of letters from there for a San Francisco newspaper. I didn’t find the letters particularly illuminating, though Twain liked the place immensely and always talked of going back.

I’ve tied some leaders which won’t turn over, and some flies which won’t catch fish. I’ve also bought some flies, almost all of which are some kind of spawning shrimp, which is the only fly I can ever seem to remember on Captain Cheape’s list. I do own a bunch of bonefish flies, almost none of which are on said list. I’ll haul them along anyway.

Meantime the weather here in Houston is as good as it gets: clear, windless, dry, and cool, 61 degrees this morning with a high of 71 degrees. There’s a mockingbird singing through the open door to the porch. Maybe I’ll go look for black bass this afternoon, or spawning crappie. Yesterday we took the skiff out on Galveston bay, and the combination of cold weather and still air left the water clear. We saw some redfish, too.

Didn’t catch those either. We did get some excellent oysters and ceviche at the Black Pearl Oyster Bar on 23rd Street.