Louisiana Deux

Sale of Estates, Pictures and Slaves in the Rotunda, New Orleans; by William Henry Brooke, engraver; engraving with watercolor from The Slave States of America, vol. 1; London: Fisher and Son, 1842.  THE HISTORIC NEW ORLEANS COLLECTION, 1974.25.23.4.

“Well, you see, it’ uz dis way. Ole missus—dat’s Miss Watson—she pecks on me all de time, en treats treats me pooty rough, but she awluz said she wouldn’ sell me down to Orleans.” 

Jim, Huckleberry Finn.

I thought when I started this that I would write some about fishing and some about states and their history and literature. Louisiana didn’t come up by design but opportunity.  It is nearby, we haven’t been in a while, we have a deposit with a guide, and who doesn’t like New Orleans?

And what better way to approach Louisiana than through race and ethnicity? I’m stupid sometimes. I should have stuck to Sazeracs.

New Orleans was founded for the French in 1718 by Jean-Baptiste le Moyne, Sieur de Bienville.  Although intended to be France’s center for trade and government,  the site selected was  a muddy swamp situated in the crescent of the shifting and flooding Mississippi River.  See that first big bend above the Gulf in the big river in the left of the map map below? The bend’s more complicated in real life, but that’s more or less where the French stuck New Orleans.

New Orleans was first destroyed by a hurricane in 1722.

1959-210.website

Le Missisipi ou la Louisiane dans l’Amérique Septentrionale; ca. 1720; hand-colored engraving by François Chéreau; The Historic New Orleans Collection, 1959.210

In 1724, the French adopted the code noir governing slaves. Believe it or not, it didn’t favor the enslaved.

Le_Code_Noir_1742_edition

In 1765 the Spanish, now in charge, brought the first Acadians, the Cajuns, to lower Louisiana from France (where they’d arrived after the British deportation of the French, Le Grand Dérangement, from the Maritimes). This was about the time that the British expelled the Scottish clans from the Highlands, and was apparently a favored British method of social planning. Get rid of ‘em.

In 1786 New Orleans burned, and in 1794 it burned again. The rebuilt city, the city we know by its French Quarter, is actually Spanish architecture, from its St. Louis Cathedral to its wrought iron frills.

Beginning in 1791, New Orleans experienced a sizable influx of slave-revolt refugees from Haiti: white French colonials, slaves, and free blacks. By the late 1700s, New Orleans was a city of French-speaking Acadians, German-speaking Germans, Spanish Canary Islanders, French-speaking refugees from Haiti, slaves from Africa and the Caribbean, and free people of color (often of mixed race).  All of these, French and Spanish colonials, Africans, and Germans, are the Creole, the ethnic and racial stew that made up Louisiana in 1803, the year of the Louisiana Purchase. There were also Americans.

 In 1803, Louisiana’s population was 35,932, with 21,224 Anglos, 12,920 slaves, and 1,768 free people of color.  By 1850, thirteen years before the Civil War, the population had exploded to 516,702, with 255k whites, 244k slaves, and 17k free people of color.  New Orleans had become the principal slave market of the South, there was cotton, there was sugar cane, there was the port traffic in the the Gulf and on the Mississippi. New Orleans was a major U.S. city and the major city of the South. Samuel Clemens came to New Orleans to work on river boats and from that he wrote Life on the Mississippi and Huckleberry Finn. Abraham Lincoln made two trips to New Orleans by flat boat: thus, Abraham Lincoln, Vampire Hunter. And the Emancipation Proclamation.

One of the world’s great cuisines came out of that ethnic and racial mix.  The food was created out of what people had on hand: rice, seafood, pork, herbs, and the trinity of bell pepper, celery, and onion. Louisianans brought to cooking their cultural history: African, Caribbean, Spanish, French, German.  Which reminds me, on Friday our son, Andy, brought me breakfast — a boudin blanc kolache from his favorite donut shop.   Boudin and heat from the Cajuns, sweet dough from the Czechs,  assembled in Houston by Vietnamese immigrants. It wasn’t really a kolache, it wasn’t really even a klobasnicky, but it was pretty spectacular.

 

Zora Neale Hurston, Marjorie Kinnan Rawlings, Rita Mae Brown

To get ready to fly fish Florida, I need to do some reading.  I’ve been preparing.

Possibly the best known authors from Florida are three women: Zora Neale Hurston, Marjorie Kinnan Rawlings, and Rita Mae Brown. I’ve read one novel by each (though I may long ago have also read a collection of folklore by Hurston).  Hurston of course was an African American author whose most famous work,Their Eyes Were Watching God, was published in 1937. Rawlings was a white carpetbagger-author from Washington, D.C. who published The Yearling in 1938. Both novels were about rural hard-scrabble Florida and were published at the end of the Great Depression. Brown wrote a lot of mystery novels that involve a cat which I don’t think I’ve read, but is famous for Rubyfruit Jungle, a lesbian coming-of-age novel published in 1973.  I probably read it in 1978 or so.  I haven’t re-read it.

Their Eyes Were Watching God begins early in the 1900s in Eatonville, a black community north of Orlando.  I guess it’s a coming-of-age novel, though the heroine Janey shoots right through the coming-of and lands on independent womanhood. It does take three husbands, one of whom she marries as a child and then abandons, one of whom she is happy to see die, and one of whom she shoots with a rifle when he gets rabies and tries to shoot her with a pistol.  She liked the last one. There are a paucity of white folk, and a lot of rural black dialogue, but it’s an immensely likable novel, and important. I’m not really sure I remember how God comes into it, but being omnipresent he’s probably in the center of things.

The Yearling, published a year later, is set earlier, after the Civil War, but again a bit north of Orlando. It is also a coming of age novel, a dark coming of age novel about a boy who is forced to choose between his greatest friend, a yearling deer, and his family’s survival.  The deer decides the corn crop is ready to hand and tasty. The Yearling probably qualifies as young adult fiction. There are the bad guys who burn houses but are always there to lend a hand,  likable Pa who in the book is remarkably small but in the movie is miscast as Gregory Peck, the world-weary and no-nonsense Ma who is large and ugly but in the movie is miscast as Jane Wyman, and Jody the boy who almost kills himself getting to manhood.  As young adult fiction it is extremely important, as adult fiction maybe not so much.  It did win a Pulitzer, and it was my mother’s favorite novel–she was 21 the year it was published–and I suspect her childhood on a Texas dryland farm was closer to the childhood in The Yearling than it was to my childhood. I love the book.

In Finding Florida T.D. Allman lambasts Rawlings because there are no blacks in The Yearling, when a significant portion of Florida’s population was and is black, but it doesn’t seem that strange to me.  InTheir Eyes Were Watching God, other than Janey’s birth story, there’s no significant white presence (though like God there may be some omnipresence).  Among the rural Southern poor, there wasn’t always much cross-racial exchange.  You might as well criticize Rawlings and Hurston for failing to include lesbians.  I’m sure there were some lesbians in Florida, I don’t think lesbians were invented in 1973, but they wouldn’t have been particularly central to the lives of the characters in these novels. It is easy to forget how complete segregation was, and among poor whites there were no servants from which to wring a Driving Miss Daisy or The Help.  It is perfectly likely that The Yearling’s Baxters on their  isolated farm had as much interaction with African Americans as Rawlings portrayed. Maybe some more, but not so much as to be worth noticing, and the Baxter’s attitudes probably wouldn’t have made them more likable; maybe taught us something, but only as a sideshow.

As for Rubyfruit Jungle, I don’t remember much about it.  The heroine was a young woman who always knew she was a lesbian and grew into it and out into the world. It was the novel of the age when it was published, rich with feminist principal and sexual liberation, but for me at least its age has probably come and gone.  Maybe not, but I suspect it’s past its shelf life. When I read it originally I’m not sure I got the reference in the title, I was far more familiar with ruby red grapefruit, Texas’ finest, than other forms of ruby fruit, but I’ve always been a bit slow.  It is more parochial than the other two novels.  I suspect that many lesbians would say it’s more personal than the other two novels.

I don’t believe there’s a mandate that Florida authoresses have three-part names.

I’m Going to Disney World

Actually I’m not.  I’m going to West Palm Beach in 23 days, where the Astros will play the Nationals in the first spring training game of the season.  Maybe somewhere between Mickey Mouse and 331  lynchings of African Americans, between Where the Boys Are and Scarface, there may be some there there in the Sunshine State.

I like to travel, and I’m old enough to know that at best when you travel you get some passing notion of a place, and you get some interesting tales with which to bore your friends.  There’s not much method in how I choose where I go:  I go places for business, or family, or to watch the Astros play.  Sometimes I go to fish.  But how I approach the place is usually similar. I try to get ready for travel by reading some books about the place I’m going.  If nothing else I at least read a mystery novel or two. I try to put together a music soundtrack of the place. I try to stay at a hotel with some history. I find it easiest to visit cities: there are civic buildings, there are museums, there are restaurants and baseball stadiums and public transportation.  Recently I’ve made it a point to go fishing because it gets me into the landscape.

We’ve booked a guide in Florida, found a place to stay, and bought our baseball tickets.  It’s a quick trip in and out to a place I went once, many years ago.  I didn’t fish then.  I saw no museums.  I drove around, went to the beach once, and saw nick-knack shops.

Getting ready to go to Florida I’ve been listening to Finding Florida by T.D. Allman. In many ways it’s a good book.  Did you know that Florida has no metals and no igneous rock? That makes it hard to advance to the paleolithic if you’re not already there, but apparently the aboriginal Foridians did quite well with what was to hand. I gather they ate a lot of oysters and made arrowheads out of fish bones. The pre-Columbians did not do so well with disease or the Spanish, and disappeared.  The Seminoles were not natives but refugees from Georgia, and would have to wait for the Americans to be mistreated.

Ponce de Leon never searched for the Fountain of Youth, and that favorite story of my childhood was made up out of whole cloth by Washington Irving.  Andrew Jackson was a bastard, but I had suspected as much. Allman criticizes the economic and racial reality of The Yearling, my mother’s favorite coming of age YA novel about a boy and his deer.  It was published in 1938 when she was 21.

Which is the problem with Allman: his unrelenting moral outrage.  Everybody was a bastard, at least among the Europeans and their descendants. No doubt the only things ever produced out of Florida were racism, cupidity, and film-flam, though being a Texan I don’t know why that makes them so special.  But truly, I really doubt that every Floridian woke up every day thinking I’m going to go out today and do something evil, or at least really stupid. Allman can even get indignant about Stephen F. Foster’s “Old Folks Back Home” for what seems like acres of print.  It just hardly seems worth the effort about a fake sweet song about longing.  All that righteousness does get wearisome, and honestly, I don’t know what he wants me to do? Not go to Florida? Tell all Floridians whose ancestors weren’t either Seminoles or slaves that they are deeply flawed?  Of course there is Florida Man.  Maybe they are deeply flawed.

Which gets back to how hiring a guide to go fishing for four hours is just a bit like going to Disney World, but then all travel is. At worst I’ll have a thrill ride courtesy of some poor fish, at best I’ll understand just a bit more of the world. I do need to watch Where the Boys Are.  I haven’t read Allman’s criticism of Spring Break yet.

Dynamic Nymphing

Bayou City Anglers had speakers Thursday on fishing the Guadalupe River from Go Outside Expeditions. It was a great presentation, and they touted Dynamic Nymphing by George Daniel.  BCA was out of the book, but it was available to download on Kindle–which is probably good anyway.  We are drowning in books.

It is the first fly fishing book I’ve bought in years. I guess mostly in these late years I fish some kind of streamer: saltwater, bass, even trout as often as not.  Streamers make sense to me.  You throw the fly out there and bring it home.

The introduction to Dynamic Nymphing was by Charles Jardine, which was interesting for two reasons.  The first was content.  He wrote something obvious, but nothing is ever obvious to me.  Jardine says that trout don’t know where he’s from, and wherever he fishes they don’t really know where they are.   They’re trout.  You fish trout essentially the same in Italy as in Argentina as on the Guadalupe River.  Productive techniques are good wherever they may be.

The second reason was because Jardine’s son, Alex, was guiding the one time I can remember getting angry, really angry, about fly fishing.  We had booked a trip with Aardvark McCleod on the Hampshire chalk streams, and Alex, who was charming and tried to explain cricket to me, made a suggestion about my casting. It was probably a great suggestion that I didn’t understand, and I ended up whacking the rod with the fly for the next hour trying to put it into practice.  Alex told me to stop, but I kept going until I finally screamed goddammit, which still embarrasses me, and almost certainly embarrassed him.  Then I went back to my old stupid cast.  The Hampshires, by the way, aren’t one of the 50 states.  They do look exactly like a Constable painting though.

As to Dynamic Nymphing, it is a how-to on both of the European styles of straight-line nymphing, and indicator nymphing.  The three things I’ve taken away so far are get rid of the split shot and use weighted nymphs, let the water move the fly most times, and stop hanging up on the rocks.  I like particularly getting rid of the split shot. I spend at least a half-hour every trip undoing the leader tangle around the split shot.  Good riddance.