Tag: Books

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James Michener

James Michener’s Hawaii is almost 1000 pages long. It’s longer, cover to cover, than the Hebrew Bible, the New Testament, the Koran, and the Book of Mormon combined.  It’s longer than the complete novels of Anthony Trollope or Charles Dickens. It’s not just a doorstop of a novel, it’s a murder weapon: “Colonel Mustard, in the Library, with Hawaii.

If  you start looking for books about Hawaii, Michener’s Hawaii is still on every list.  It was his first mega-book, after having won a Pulitzer Prize for Tales of the South Pacific.  Hawaii is a saga, beginning geologically, preceding through Polynesian exploration, missionaries, sugar planters, dynastic overthrows, and World War II to statehood.  It came just in time for the re-creation of Hawaii as an airline vacation destination. There are The Hawaiians, The Whalers, The Missionaries. There are The Chinese. There are The Japanese.  Thank God we made Hawaii a state, otherwise the book might still be going. 

But early on, in 1959 when Michener published Hawaii, the well-researched sweeping drama was still something new. In the 60s it was a book everyone had read, highbrow to lowbrow. Did the genre exist before Michener? I suppose there were plenty of historical dramas, but no one wrote historical fiction like Michener, where the history itself is the very thing. Michener’s Hawaii has some characters, plenty of them, many of them memorable, but they’re there to move along the sweep of time, the Grand Theme, not for their own sakes. It’s amazing that Michener does as well with them as he does.

And nothing ever happens in Hawaii that’s not Significant.  Nobody hangs out and drinks beer around the pool, or drives to the grocery store. They hang out around the pool and plot the overthrow of the Hawaiian royalty. They drive to the grocery store and burn down half of Honolulu. A woman character appears, establishes her place in the grand family scheme, delivers a message to the hero-of-the-moment, and is then swept out to sea by a tsunami. It wasn’t like she needed to get swept out to sea by a tsunami, but I guess the tsunami was handy, so Michener sweeps her out to sea. Minor character. Minor incident. Time for Time to march on.

From what I can tell even if it’s not a great novel it’s not bad history, and there’s no cannibalism (though there is some human sacrifice). All in all I appreciate Michener’s attitudes towards All Those People. Michener was adopted by a Quaker, and there’s some Quaker benevolence in his attitudes. There is also a tendency in Michener to deal in racial tropes, but it has less to do I suspect with inherent prejudice than how Michener characters are used. They’re not so much portraits as game pieces, like tiles on an old board game, Stratego, Hawaiio.  When you flip them over they display their value: this red tile is worth 10 whaling ships, this blue tile 20 missionaries, this a Hawaiian queen, this a tsunami.  

Hawaii–the state, not the novel–doesn’t seem to have produced great fiction. There are a lot of very good histories, including a bit of a romp, Unfamiliar Fishes, by Sarah Vowell.  There’s James Jones’ From Here to Eternity, and some people like it, but I can’t get over the notion that the hero finds playing the bugle transcendent, or that someone who found playing the bugle transcendent would risk his embouchure boxing. Everything after those implausibilities is tainted.

It also has Hawaii Five-0 and Magnum P.I., both now in remakes, but doesn’t seem to have a significant fictional detective who lives in novels (unless Charlie Chan counts, and that’s its own set of problems). There’s no Dave Robicheaux, Travis McGee, Sam Spade, or V. I. Warshawski. There’s no Spenser. That surprises me. Hawaii seems ideal for that kind of stuff: it’s ripe for a beach novel detective.  Instead it’s got this really long book.

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Hawaii

I’ve never really wanted to go to Hawaii. People tell me that if you get away from the crowds it’s a beautiful place. I’m sure it is, but it’s never much appealed to me. There are so many other places to see, places with deserts and rivers and such. But damn, Willie Nelson. Willie Nelson now lives in Hawaii. That’s tough to ignore.

The contact I’ve had with Hawaii has been pretty casual. My Dad’s first cousin, Houston O’Neil Thomas, U.S. Navy coxswain and son of Sam Houston Thomas, died on the Arizona at Pearl Harbor. I guess that isn’t exactly casual but it was 15 years before I was born, so it was remote. I’ve looked up his name in the Arizona’s dead, and my great-grandmother, Sam Houston’s grandmother, died ten days later, on December 27, 1941, the second family casualty of World War II. Maybe that run-in with Hawaii explains some of its lack of appeal.

Like a lot of bookish teenagers of a certain age I read James Michener’s Hawaii, and I’ve watched enough episodes of Hawaii Five-O to say “Book ’em Dano” with conviction. For years though I thought the lead actor was Darrin McGavin. I’m not much of an Elvis fan either.

I do like the music, or what I know of it. There’s a particular style of guitar in Hawaii, called slack-key.  The name comes from slacking the guitar’s standard tuning to an open tuning.  If the 1st and 6th strings are tuned down, slacked, from E to D, and the 5th string is slacked from A to G, the guitar is tuned to a G chord without the left hand–every beginning guitarists dream. The open tuning changes chording and scales, but there are some famous open tuning players–I always think of Joni Mitchell–and slack key guitar is lovely. This song by Keola Beamer is pretty perfect. 

But open tunings were never enough to make me want to go to Hawaii. I’m not a beach guy, and at least from what I can tell, all of Hawaii seems to be an enormous beach town. I suspect I’m too old to learn to surf, and always was. Or maybe just too pale to learn to surf, and always was. Or maybe just too dubious about my own athleticism.

So last year when I made my New Year’s resolution I was thinking I’ll have to go to Hawaii, and this is the only thing that would ever get me there. I’ve never wanted to go to Las Vegas either, though I did have a layover in the airport once. I wouldn’t mind a layover in Hawaii on my way to Christmas Island.

Maybe I’d think differently if Hawaii was a fishing destination, but it’s not. I think there’s some offshore fishing, but I get seasick, and I think it may be touristy stuff. Of course I guess I’m a tourist. There’s also  spear fishing, but it’s hard to catch and release with a spear. Anyway Hawaiian fishing was unregulated and subsistence or commercial for long enough to deplete much of the inshore fishery, and despite all that ocean there are apparently not a lot of fish. 

And it’s not really known to fly fishers, except as a layover for the Christmas Islands. There is some freshwater fishing in a freshwater supply reservoir near Honolulu, but the only report I’ve read was during a drought, and it wasn’t very appealing. Maybe in better years it’s like any other lake. There are also stocked trout at high elevations on Kauai. Trout fishing in America.

The last decade though there’s been some good press on Hawaii bonefish, o’io. They’re big. Bonefish are a destination fish, and the best places I know, Christmas Island in the Indian Ocean, Los Rocques, Venezuela, parts of the Bahamas, the east coast of the Yucatan, Belize, and South Florida, are destination fisheries. Los Rocques and Christmas Island are supposed to be the best, if you can get past traveling to Venezuela, on the one hand, or the time and money investment of going to a place where there’s one plane a week. The plane! The plane! Book ’em Danno.

Belize and the Yucatan are really the same place separated by a border that the fish ignore. The fish there are smaller, mostly in the one to three pound range, but there are lots of them.  That’s where I’ve fished, Belize, with small, relatively easy-to-catch fish. Big fish are apparently a different fish: warier, faster, stronger . . . The Bahamas is a destination not because of quantity but because it has big fish.

Hawaii is supposed to have big fish, as big as the Bahamas, but the bonefish flats, the places where you fly fish for bonefish, are apparently small, scattered, and mostly on Oahu. Mountainous volcanic islands that pop up out of the ocean aren’t the best places to find flats. There must be something there though. There are lots of guides. Maybe there are lots of tourists? I suspect there are lots of tourists.

It’s also a place where apparently the wind blows hard much of the time, up to 25 knots (that’s a nautical mile, or 1.15 statute miles), and if you do hook a fish you have to keep them out of the coral or you’ll lose the fish. When we go it will also be the rainy season. It’s not ideal. 

But we’ll go, right after New Years.

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Oklahoma Packing List

Stuff We Took

We took my car. It’s a 2012 diesel with 117 thousand miles. It needs the tires rotated and it uses a bit of oil. It ran great. For our other trips this year we’ve flown and rented, and we’re now pretty proficient at hooking the phone through the rental car radio (if they’re still called radios). We can hook into whatever Mitsubishi or Ford or Mazda mid-sized SUV the rental company gives us with minimal stress and only a few harsh words, but it’s still nicer to be in my car. 

I fished with a 10′ 4 wt. Kris fished with her Helios 3D 5 wt. that I gave her for Christmas last year. Chris the Guide wished it was the softer version, but she cast beautifully. Maybe she missed more strikes because of the hard rod, but man was it fun to watch her cast.  

There’s nothing else remarkable about what we packed except that I bought a bag of Cheetos. You can’t have a road trip without Cheetos, unless it’s a road trip with Fritos and bean dip. 

We ate two dinners the night we arrived, just to try things out: chicken fried steak at Abendigo’s and pizza at the Grateful Head.  Both were excellent, and the local beers were excellent. I no longer eat nearly enough chicken fried steak. We had leftover pizza on the river on Saturday, so two dinners was perfectly reasonable. We stayed at the Hotchatown Country Lodge, and had a breakfast burrito at Adam and Eve’s Coffee Shop before we fished on Saturday.  That place has good coffee. 

Beavers Bend is in the Choctaw Nation, but we missed most of the cultural stuff. We did take a photo of the casino. We also walked through the Forest Heritage Center Museum, which is peculiar, but there’s no doubt this is a lumber town. 

I now believe that forest science research is best carried out in white pumps. 

When we started planning Oklahoma, I asked an Oklahoma fly fishing group on FaceBook where we should fish, and here’s what I got:

• Sandies in the spring, but no specifics on places
• Bluegill, but no specifics on places
• Trout on the Lower Illinois
• Trout on the Lower Mountain Fork
• Smallmouth on the Upper Illinois in the summer
• Stripers on the Lower Illinois in the summer
• Carp, but no specifics on places

Personally, any of those could have been great, and I’d already thought about white bass. End of the day, the Mountain Fork was convenient. Kris already talks about Oklahoma more fondly than anyplace we’ve fished, and we were only really there for one day.

The other place I thought about was the Wichita Mountains. It’s the nation’s oldest wildlife preserve, and notwithstanding Yellowstone it deserves credit for preserving the buffalo. Hiking there once I looked up at a ridge line and watched a dozen elk watching me. They seemed to find me peculiar, and many share their opinion.There’s a series of ponds and small lakes spread through the refuge, and it would have made a good place for bluegill.

What I Didn’t Write About

The Cherokees, slavery, and the Confederacy. There are two recognized Cherokee tribes in Oklahoma. They seem to have split over the Civil War: the larger tribe supported the Confederacy, the smaller the Union. The Cherokee who owned slaves took them along to Oklahoma.

The 1909 Jim Crow amendments to the Oklahoma Constitution. Roosevelt refused to approve the Constitution for 1907 statehood until the Jim Crow provisions were removed, then the state constitution was amended in 1909 to put them back in.

Part of district burned in race riots, Tulsa, Okla, .American Red Cross, 1921, Library of Congress

The 1921 Tulsa Race Riot. One of the bloodiest two day white riots in American history, it’s also known, appropriately, as the Tulsa massacre. Thirty-six African Americans died, and thirty-five blocks of the established African American Greenwood neighborhood were burned to the ground.

Tulsa burning, Alvin C. Krupnick Co., photographer, 1921, Library of Congress

Quanah Parker. I didn’t write enough about Quanah Parker. I didn’t write enough about the Wichita.

Boom Town, by Sam Anderson. It’s on the New York Times’ 100 notable books for 2018, and it’s a fine book about Oklahoma City. It had me checking The Thunder in the NBA standings, and recommending the book. Great book.

Ralph Ellison. Ralph Ellison is from Oklahoma City. I tried to re-read Invisible Man, but couldn’t. It’s a hard book.

The 2018 Elections. There’s now a Democratic congresswoman from Oklahoma City. There’s also a pretty interesting war going on in the Oklahoma Republican Party.

Playlist

I should have known Oklahoma had such great music, but I didn’t. I’ve already mentioned that Oklahoma was the home of five of the finest guitarists I know. And Woodie Guthrie. And John Moreland.

Bob Wills Publicity Photo, C. 1946, Wikipedia
  • John Moreland. In the Throes. I saw a review of John Moreland’s new album in Garden & Gun a few weeks ago, then ran across him in an inernet list of 10 Oklahoma bands you should be listening to now. If Bruce Springsteen sang Americana music he would be John Moreland. This is music about the Broken Arrow, Oklahoma, high school prom. Robin, take note: this is great stuff.
  • The Call. Some random songs. I didn’t pay much attention to them the first time around, and gave them short shrift this time. They probably deserve better. Or maybe not. 
  • Garth Brooks. I think I would like Garth Brooks, but his music is only available on Amazon, and I’m not technologically proficient enough to know whether I can download something on Amazon and listen to it on ITunes. 
  • The Flaming Lips. Yoshimi Battles the Pink Robots. My daughter tells me that The Flaming Lips were one of her favorite bands in high school. Wayne Coyne lives in Oklahoma City, and is a central character in Sam Anderson’s Boom Town.
  • Woodie Guthrie. I’d been listening to Guthrie in Oregon. I downloaded covers of his songs from his 100th birthday celebration at the Kennedy Center and some other stuff. Billy Bragg and Wilco’s “Way Over Yonder in the Minor Key” is the best Woodie Guthrie song that Woodie Guthrie didn’t write.
  • Charlie Christian. Charlie Christian: The Genius of the Electric Guitar. Charlie Christian invented the electric guitar solo, and then died of tuberculosis at the age of 26. He made some fine recordings with Benny Goodman. 
Charlie Christian, Charlie Christian Family Archives
  • Leo Kottke. Acoustic Guitar once did a list once of the 50 greatest acoustic guitar albums. I don’t know where Kottke’s 6- and 12-String Guitar ranked, but I remember the review. The record came out in 1969, and they guessed that more joints were rolled in college dorm rooms on that album cover than on any other. I bet they were right. It at least ran a close second to Sergeant Pepper.
  • Michael Hedges. Hedges was New Age Music, which was once a thing. I had Hedges’ Aerial Boundaries because of that Acoustic Guitar list. He died in 1997 in a car wreck.
  • Roy Clark. “But I Never Picked Cotton.” He died last week. After a near 50-year interval I once again spent way too much time watching Hee Haw, this time on YouTube. His duets with Glen Campbell in the TV heyday were pretty amazing. 
  • Tuck Andress, of Tuck and Patti. Tears of Joy. Andress is such a fine jazz guitarist. He’s also St. Vincent’s uncle.
  • Jerry Jeff Walker, “Up Against the Wall Redneck Mother.” She was, after all, born in Oklahoma.
  • Merle Haggard, “Okie from Muskogee.” The companion piece to “Up Against the Wall Redneck Mother.” Together the two songs form the yin and yang of country music.
  • Bob Wills and the Texas Playboys. Bob Wills–For the Last Time. Wills was born in Turkey, Texas, near my hometown, but the Playboys spent a good part of their career on Tulsa radio. I took that as enough of an excuse to include Bob Wills on the playlist. I don’t know how I’ll get him into the Hawaii list. There is a steel guitar. 
  • Cross Canadian Ragweed. Cross Canadian Ragweed. There’s an Americana sub-genre of country out of Oklahoma called Red Dirt Music. I picked Cross Canadian Ragweed because I liked the name, but there are several others, and I suspect some may be better. The Canadian River, by the way, is the longest tributary to the Arkansas River. It starts in Colorado, and crosses New Mexico, the Texans Panhandle, and Oklahoma. 
  • Chet Baker. Chet Baker Sings. Chet Baker is a cross between Billie Holiday, Miles Davis, and James Dean. 
  • Jimmy LaFave. Texoma. More Red Dirt Music, LaFave left Oklahoma for Austin, and died last year. I can’t say enough good things about LaFave.
  • J.J. Cale. Troubadour. The guy who wrote “After Midnight.”
  • Jimmie Webb. The guy who wrote “Galveston” and “Wichita Lineman.” 
  • Hoyt Axton. The guy who wrote “The Pusher,” “Never Been to Spain,” and “Joy to the World.”
  • Leon Russell. Carney. I always figured “This Masquerade” was a cover of a much older song. It’s not. 
  • Blake Shelton. Red River Blue. There was absolutely nothing memorable about Blake Shelton, except Kris yelling turn him off every time one of his songs shuffled through. My daughter told me that this is a sub-genre of country known as Bro’ Country, which is mostly about drinking, driving pickups, and admiring young women. I did think the song about the honey bee was cute, but then Kris yelled at me to turn it off.
  • Reba McEntire. Reba. Reba has a nicer voice than I expected, and she handles her material well. Some of the material is decidedly mediocre. Some is pretty good. 
  • Gordon MacRae. “Oklahoma!” and “Oh What A Beautiful Mornin’.” If you can keep from singing along to “Oh What A Beautiful Mornin”’ you’re a better man than me. That goes into my master road trip playlist, just for the joy of singing along. 
  • David Frizzel and Shelly West. “You’re the Reason God Made Oklahoma.” In 1981 this was number 1 on the country charts for seven weeks. It is a lovely song, and makes me pine for cold nights on a prairie country road in a pickup. Ok, it’s probably totally manufactured Nashville country, and you can’t go home again, but it’s still a lovely song. 

Guitar. 

I took the Kohno since I didn’t have to worry about airplanes.  My shoulder hurt by the end of the day, but my hands never did, so I worked on Mazurka Marieta by Tarrega. I memorized it a long time ago, and it was one of those songs I never seemed to forget, but then I forgot it.  Relearning went quickly though. 

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True Grit

Few things have messed with my head longer than True Grit, beginning with the 1969 movie starring John Wayne. I own a copy of the book, but I didn’t read it until we started planning our trip to Oklahoma. In 1969 I wouldn’t have imagined that the book was anything better than a Louis L’Amour novel. Of course then I couldn’t think of many things better than a Louis L’Amour novel. I might still like Louis L’Amour if I still read him, but I’ll save that for North Dakota. 

The problem with the John Wayne movie was that the geography was all wrong, and at thirteen I knew it. Everyone knows the plot. Fourteen year-old Mattie Ross enlists one-eyed Marshall Rooster Cogburn to go with her into Indian Territory to bring her father’s murderer to justice. Mattie picks Cogburn because she believes him to be a man of true grit. Comparing myself to Mattie and Rooster, I knew that I didn’t know much about grit, but what I did know was the geography of the movie. I knew Indian Territory was Oklahoma, and I had been in and and out of Oklahoma all my life. I knew the movie landscape was southwestern Colorado, and we went to southwestern Colorado and New Mexico from time to time for vacations. One didn’t get on a horse in Fort Smith, Arkansas, cross a river, and end up in Ouray, Colorado. 

I couldn’t believe that the moviemakers could be so stupid (at best) or dishonest (at worst). I even cobbled together an explanation: the Indian Territory of 1870s Oklahoma was bigger than current-day Oklahoma, and the San Juan National Forest was within its borders. That was wrong of course, but it never occurred to me that the moviemakers picked their locale because southwestern Colorado is prettier than northeastern Oklahoma, no slight at all to northeastern Oklahoma. Southwestern Colorado is prettier than just about anyplace.

The Coen Brothers version of the movie is impossibly true to the book, and its tone and language are altogether artier than the John Wayne version. The Coen Brothers version stars a brilliant 13-year old girl, not a 22-year old. It stars the Dude, not the Duke. But it also makes its nod to the original, and for me in the most confusing way possible: by filming in the same landscape.  The Coen’s choice messed with my head anew, even though by then I had realized that it was a matter of artistic choice, not reality.  

So I finally read the novel, and now it’s joined together with the movies to mess with my head.

Take, for instance, LaBoeuf. A part of me says that of course there is a Texan in this novel, just as there is a Texan in Bram Stoker’s Dracula. If you’re going to write a novel about bravery, you surely do need a Texan companion to prove the act is not only brave, but extraordinarily brave. Matt Damon’s LaBoeuf (pronounced Lebeef) is excellent. In the original movie, however, Glenn Campbell (who was the very thing in his day, and who played guitar on Pet Sounds) is almost unbearably stilted. Did he know it? Is he such a bad actor? Was this art? I doubt it was purposeful, and then I doubt my doubts. It’s hard to understand such horrible acting.

Then there is the comedy. True Grit and Portis’s other novels are considered some of our best under-the-radar stuff. And the book and the movies are set in a real world with a real history. There was a hanging Judge Parker, and the incursions by Parker’s marshals into Indian Territory began the end of Indian Nation sovereignty. Portis gets his history right. Everybody thinks the novel is brilliant, and it is.

And everybody thinks the novel is comic.

I don’t really get it. Maybe to somebody who thinks southwestern Colorado is northeastern Oklahoma the novel is comic. I listen to Mattie Ross’s narration, fine as Portis has made it, and I hear a mildly exaggerated version of my  aunts talking. I watch Rooster Cogburn (who rode with Quantrill), and I see the righteous and the unrighteous, the just and the unjust, and the line is crossed back and forth from day to day, from moment to moment. Rooster Cogburn and Mattie Ross are forces in both opposition and harmony: unconscious Presbyterian rigidity and riding with Quantrill. Is Mattie comic? It’s a comedy that is hard to pinpoint.  Mattie doesn’t tell jokes. She isn’t amusing or witty. This isn’t a book of pratfalls, and it’s not picaresque like, say, Little Big Man. It is comic only in how Mattie’s uncompromising force collides with the world and overwhelms it. Maybe it is only the exaggeration (and in my mind the very slight exaggeration) that is funny.

So 50 years after I first watched John Wayne as Rooster Cogburn in a southwestern single screen theater on a little town square I’m still wrestling with True Grit. 

 * * *

I’ve been preparing for Friday’s trip to Broken Bow.  It’s 30 degrees outside, and I hope it warms up just a bit in the frigid north of Oklahoma where it’s even colder. When we went to Wisconsin in September the guide required studless wading boots to protect his boat, and I had dutifully removed our studs and put them away where I wouldn’t lose them. Then I promptly lost them.

In Oregon we’d waded with Patagonia River Crampons, and they worked great, so if I didn’t find the studs I wouldn’t necessarily need to replace them. Studs aren’t much. They’re short sheet metal screws that screw into the bottom of boots, but once they’re labeled with a brand name at a fly shop they get a bit pricey. Maybe they’re tungsten or aluminum or gold or some such. Since we don’t use felt-soled boots anymore, studs are the minimum needed to keep your footing on slick rock. 

The older I get, the more I worry about falls in rivers, and along with studs I now use a wading staff.  I’m a wobbly tripod in the watter, and in a few years I may drop the fly rod altogether and just carry two wading staffs. If a fish comes along I’ll point at it. The staff I use is a Folstaff, a shock-corded tent pole that with a bit of a shake snaps together at five joints. Putting it away is sometimes a bit of a struggle, and the first few times a joint got stuck I used a vice and some vice clamps to separate the sections. I’ve discovered over time that with a bit of wiggling the joints separate well enough, though not altogether easily, and having the separated sections get away from you and snap back together is almost as annoying and as common as a good tangled leader. 

I like my staff, with its collected scrapes and darkened cork handle, but largely because of the separation anxiety I found myself on Saturday eyeing a new Fishpond staff at the shop. It extended like a photographer’s tripod. I imagined that it wouldn’t take desperate measures to put it away, but that it also wouldn’t extend with that satisfying snap.  

Meanwhile Kris looked for the studs and didn’t find them either, but she reminded me that I’d put them in a plastic bag, not a box.  This morning I went right to them and they’re back in the boots.  Now I’d just like a bit warmer weather, and we do need to clean our boots.